Mammonart: An essay in economic interpretationSinclair, Upton
History
Mammonart: An essay in economic interpretation
Sinclair, Upton
Arts and society; Economics and literature; Literature -- History and criticism -- Theory, etc.
Henry James remarks somewhere that an American has to study for fifty
years of his life in order to attain, culturally speaking, the point
from which a European starts at birth. Just what does he mean by this
unpatriotic utterance? I am reminded of it when I think of Anatole
France, and recall his characteristic sayings. Consider the following:
’Tis a great infirmity to think. God preserve you from it, my son,
as He has preserved His greatest saints, and the souls whom He
loves with especial tenderness and destines to eternal felicity.
Now it is possible to conceive of a Catholic bishop or a Methodist
missionary or a Kleagle of the Ku Klux Klan who might be too stupid to
understand that remark; but it is difficult to conceive how,
understanding it, he could withhold the tribute of a smile. Into this
remark a great master of words has distilled the essence of a
civilization, the precious flavor of centuries of culture. There are
only thirty-four words in it, and yet you can afford to meditate upon it
for a long time. The writer of such a paragraph possesses a mind
emancipated from the shams and delusions of the ages; he is skeptical,
realistic, and as witty as it is possible for a man to be; yet also he
is urbane--he does not seize you by the shoulders and shake you, for he
has learned that there are all kinds of strange people in the world, and
he asks merely that you consent to smile with him.
How is such a man brought into existence? His father was a book-seller,
and so he breathed culture in his childhood; he read everything from
every part of the world, especially things written by men long since
dead; things full of that beauty mingled with sadness which is one of
the gifts of time. Anatole France learned to be at home in strange
cultures, and at the same time he studied the masters of his own
country, whose specialties are precision and lucidity and charm of
phrase. At the age of twenty-seven he published a story, “The Crime of
Sylvestre Bonnard,” a sentimental pretty tale about an elderly,
kind-hearted French antiquarian, who rescues a little girl from cruel
mistreatment, and then discovers that under the French law he is guilty
of abduction. It might have been written by any of our magazine writers
of the cheer-up, God’s-in-His-Heaven school--provided only that these
writers had possessed a thousand years of culture.
Public-domain text, read in full here on John Shaqi.
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