Mammonart: An essay in economic interpretationSinclair, Upton
History
Mammonart: An essay in economic interpretation
Sinclair, Upton
Arts and society; Economics and literature; Literature -- History and criticism -- Theory, etc.
It was just what the Academy of Richelieu loved, and they crowned it.
The young writer was taken up by an exquisite French lady, who became
his mistress, and set up a salon for him, and helped him to meet all the
editors and critics--which is how you make fame and fortune in Paris,
and sometimes in America, I am told. This Frenchman was clever and
witty, sensual, cynical, but not too much so for his elegant
free-thinking tradition. He wrote other novels and a great quantity of
miscellaneous writings, and in 1896, at the age of fifty-two, his
labors were rewarded by the great French honor, he became one of
Richelieu’s forty Immortals. In the ordinary course of events there was
nothing more for him to do, save to sink back in his comfortable
arm-chair and listen to the plaudits of Paris.
But a strange and alarming thing happened. The struggle over the Dreyfus
case arose, and Anatole France leaped into the arena, joining Zola, whom
he had previously denounced as a beastly writer. Here was something
absolutely without precedent--that an Academician should turn into a
Socialist, and take to attending meetings of workingmen, and addressing
to them remarks unfit to be quoted in respectable newspapers. Worse even
yet, he, the pride and glory of art-for-art’s-sake culture, took to
putting radical propaganda into novels! They had let him in among the
Immortals, and there was no way to get him out; so here was one of the
pillars of literary authority, portraying his country as an island of
penguins, and the pillars of his church and state as grotesque, wingless
birds, dressing themselves in frock-coats and silk hats and hopping
about upon obscene errands. Have a glimpse of them:
“Do you see, my son,” he exclaimed, “that madman who with his teeth
is biting the nose of the adversary he has overthrown, and that
other one who is pounding a woman’s head with a huge stone?”
“I see them,” said Bulloch. “They are creating law; they are
founding property; they are establishing the principles of
civilization, the basis of society, the foundations of the State.”
“How is that?” asked old Maël.
“By setting bounds to their fields. That is the origin of all
government. Your penguins, O Master, are performing the most august
of functions. Throughout the ages their work will be consecrated by
lawyers, and magistrates will confirm it.”
Public-domain text, read in full here on John Shaqi.
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