Mammonart: An essay in economic interpretationSinclair, Upton
History
Mammonart: An essay in economic interpretation
Sinclair, Upton
Arts and society; Economics and literature; Literature -- History and criticism -- Theory, etc.
Of course such big magic could not long remain a secret. Ogi was
irresistibly driven to show his homemade aurochs to the tribe, and there
was a tremendous commotion. It was a miracle, all made clear by their
gruntings; they knew the monster instantly--an aurochs, and nothing
else! They cried out with delight at the cleverness of the
representation.
(And ninety-nine thousand, nine hundred and sixty-six years later, when
the writer was a little boy, he used to see in a certain home of wealth
which he visited, three pictures hanging in the dining-room, and
appealing to gastronomic emotions. One picture represented several
peaches on a platter, another represented half a dozen fish on a string,
the third showed two partridges hanging by their necks. The members of
the tribe of Ogi, now called the Merchants and Manufacturers Association
of Baltimore, would gather at supper parties and marvel at this big
magic. Here were works of art, and all knew they were works of art, and
knew exactly why; they would say of the fish: “You can see the very
shine of the scales!” Of the peaches: “You can rub the fuzz off them!”
Of the birds: “You can bury your hands in the feathers!”)
But when the first thrills had passed, the dwellers in the cave with Ogi
fell victims to panic. An aurochs was a fearful and destructive beast;
it was hard enough to have to kill him for food--but now to bring back
his angry spirit was tempting fate. In the Holy Mountain fronting the
cave dwelt the Great Hunter, who made all aurochs, and would be jealous
of usurpers. The Witch Doctor of the tribe, who visited the Great Hunter
and made spells for good luck--he was the proper person to make magic,
and not an up-start boy. So the Witch Doctor trampled out the drawing of
Ogi, and the Old Man of the tribe, who made the laws, drove him out from
the cave, and into the night where the sabre-toothed tiger roamed.
(And last winter the writer stood one night at 43rd Street and Broadway,
a busy corner of New York, and across the front of a building a whole
block long he beheld great letters of violet fire, spelling three words:
THE TEN COMMANDMENTS. He entered the building, and there upon a silver
screen he saw a flash of lightning, followed by a burst of clouds and a
terrifying clatter of stage thunder, and out of the lightning and clouds
and thunder was unrolled before his eyes the Second Commandment: _Thou
shalt not make unto thee any graven image, or any likeness of anything
that is in heaven above, or that is in the earth beneath, or that is in
the water under the earth._)
Public-domain text, read in full here on John Shaqi.
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