Mammonart: An essay in economic interpretationSinclair, Upton
History
Mammonart: An essay in economic interpretation
Sinclair, Upton
Arts and society; Economics and literature; Literature -- History and criticism -- Theory, etc.
Says our scholar: “We are now greeted by the noble strain; a strain
unworn by constant quotation, unhackneyed by trite allusions. Like the
splendid harmonies of a master-musician it throbs and thrills us as we
read, in spite of the declamations of the schoolroom and the parsing
exercises of childhood.”
Joan of Arc arose to inspire her people to drive out these invaders; and
the English burned her as a witch. A hundred and sixty years had
passed--surely time enough for sober second thought, surely time for
England’s national poet to do what he could to wipe this blot from his
country’s good name. But the maid of Orleans had to look elsewhere for
vindication than to Shakespeare, friend of the rich and powerful, who
never advocated an unpopular cause in all his forty plays. He represents
Joan according to the basest of the prejudices of his “groundlings”; a
vain, boastful creature, unchaste, and not denying her unchastity.
In the series of plays dealing with King Henry VI comes a still more
significant incident, the rebellion of Jack Cade. For three hundred
years the blood and treasure of the English people had been wasted in
these foreign wars, and incessant civil wars of rival earls and dukes
and barons. In the middle of the fifteenth century there was widespread
distress, and in Kent occurred an uprising; a popular leader took the
city of London, and forced some promises of reforms, and was then
betrayed and killed. This incident fell into Shakespeare’s lap--an
opportunity for delicious gentlemanly wit at the expense of the
exploited workers. “Be brave, then,” cries Cade, “for your captain is
brave and vows reformation. There shall be in England seven half-penny
loaves sold for a penny, the three-hooped pot shall have ten hoops, and
I will make it felony to drink small beer.”
Just as soon as the Cade of Shakespeare gets power he sets himself up to
be a nobleman, and offers to strike one of his followers dead for
failing to recognize his claim. He addresses Lord Say, one of the
persons against whom the indignation of the people had been roused:
Thou hast most traitorously corrupted the youth of the realm in
erecting a grammar school; and whereas, before, our fathers had no
other book but the score and the tally, thou hast caused printing
to be used; and contrary to the king, his crown and dignity, thou
hast erected a paper mill. It will be proved to thy face that thou
hast men about thee that usually talk of a noun, and a verb, and
such abominable words as no Christian ear can endure to hear.
Public-domain text, read in full here on John Shaqi.
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