Mammonart: An essay in economic interpretationSinclair, Upton
History
Mammonart: An essay in economic interpretation
Sinclair, Upton
Arts and society; Economics and literature; Literature -- History and criticism -- Theory, etc.
“No,” replies her husband, “we shall hew to the line of John Milton; but
of course, if one of the chips happens to hit Mencken in the eye--”
“He will let us know,” says Mrs. Ogi.
“First we have to have some of the despised sociology. We have to
mention that human institutions arise, and serve their day, and then
degenerate. The shell which at one time protects the crab becomes an
encumbrance and has to be split and cast off. The English monarchy once
served to break the power of the rebellious nobles, and to give the
country unity; but now came Parliament, pushing the kings aside. The
people who brought about that change were the Puritans: and for a
century they represented such freedom of conscience and freedom of
intellect as England had. Incidentally, they settled the North American
continent, cleared out the savages, and made a civilization. We owe them
more than we owe to any other single group; and if nowadays we identify
Puritanism with the Society for the Prevention of Vice, we shall be just
as narrow and as bigoted as Anthony Comstock himself.”
Says Mrs. Ogi: “There goes a chip straight for Mencken’s eye!”
The society in which John Milton grew up was very much like the
Harding-Coolidge era which we know. There was the same raffish crew in
control of government, selling everything in sight, and trampling civil
rights. Men were thrown wholesale into prison, they were beaten and
tortured for their opinions’ sake. A small handful stood out, and
suffered martyrdom; they appealed to the public, and the public seemed
dead and indifferent--exactly as it seems today.
John Milton had a fortunate and happy youth. His father was prosperous,
and gave his son the best guidance and education. At Christ’s College
they called the boy “the lady,” because he was beautiful and refined. He
returned to his father’s home to live a life of quiet study, and to
write poems of imperishable beauty. If “art for art’s sake” degenerates
care to know how poetry can have all the graces and sensuous charms, and
still be clean, they are referred to these early poems of the young
English Puritan. It is worth while to point out explicitly how little
his creed meant narrowness and contempt for art. All that came later, as
a result of the civil war. But Milton in his youth acquired all the
culture of his time; he was a thorough-going humanist, personally
graceful and attractive; he traveled in Italy and met the leading men of
his age, including the old blind Galileo, who had been forced under
threat of torture to recant his belief that the earth moves around the
sun.
Public-domain text, read in full here on John Shaqi.
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