Death lives where power lives unused.[6] Self is the schoolmaster whose lessons are best worth his wages; and since the subject I am considering has not yet become a branch of formal instruction, those whom it may interest can, fortunately, have no pedagogue but themselves. To the natural philosopher, the descriptive poet, the painter, and the sculptor, as well as to the common observer, the power most important to cultivate, and, at the same time, hardest to acquire, is that of seeing what is before him. Sight is a faculty; seeing, an art. The eye is a physical, but not a self-acting apparatus, and in general it sees only what it seeks. Like a mirror, it reflects objects presented to it; but it may be as insensible as a mirror, and it does not necessarily perceive what it reflects.[7] It is disputed whether the purely material sensibility of the eye is capable of improvement and cultivation. It has been maintained by high authority, that the natural acuteness of none of our sensuous faculties can be heightened by use, and hence that the minutest details of the image formed on the retina are as perfect in the most untrained, as in the most thoroughly disciplined organ. This may well be doubted, and it is agreed on all hands that the power of multifarious perception and rapid discrimination may be immensely increased by well-directed practice.[8] This exercise of the eye I desire to promote, and, next to moral and religious doctrine, I know no more important practical lessons in this earthly life of ours--which, to the wise man, is a school from the cradle to the grave--than those relating to the employment of the sense of vision in the study of nature.