Man and Superman: A Comedy and a PhilosophyShaw, Bernard
Philosophy
Man and Superman: A Comedy and a Philosophy
Shaw, Bernard
English drama; Man-woman relationships -- Drama
And so your Don Juan has come to birth as a stage projection of the
tragi-comic love chase of the man by the woman; and my Don Juan is the
quarry instead of the huntsman. Yet he is a true Don Juan, with a sense
of reality that disables convention, defying to the last the fate which
finally overtakes him. The woman's need of him to enable her to carry
on Nature's most urgent work, does not prevail against him until his
resistance gathers her energy to a climax at which she dares to throw
away her customary exploitations of the conventional affectionate and
dutiful poses, and claim him by natural right for a purpose that far
transcends their mortal personal purposes.
Among the friends to whom I have read this play in manuscript are some
of our own sex who are shocked at the "unscrupulousness," meaning
the total disregard of masculine fastidiousness, with which the woman
pursues her purpose. It does not occur to them that if women were as
fastidious as men, morally or physically, there would be an end of the
race. Is there anything meaner then to throw necessary work upon other
people and then disparage it as unworthy and indelicate. We laugh at the
haughty American nation because it makes the negro clean its boots and
then proves the moral and physical inferiority of the negro by the fact
that he is a shoeblack; but we ourselves throw the whole drudgery of
creation on one sex, and then imply that no female of any womanliness
or delicacy would initiate any effort in that direction. There are no
limits to male hypocrisy in this matter. No doubt there are moments when
man's sexual immunities are made acutely humiliating to him. When
the terrible moment of birth arrives, its supreme importance and its
superhuman effort and peril, in which the father has no part, dwarf
him into the meanest insignificance: he slinks out of the way of the
humblest petticoat, happy if he be poor enough to be pushed out of the
house to outface his ignominy by drunken rejoicings. But when the
crisis is over he takes his revenge, swaggering as the breadwinner, and
speaking of Woman's "sphere" with condescension, even with chivalry, as
if the kitchen and the nursery were less important than the office in
the city. When his swagger is exhausted he drivels into erotic poetry
or sentimental uxoriousness; and the Tennysonian King Arthur posing as
Guinevere becomes Don Quixote grovelling before Dulcinea. You must admit
that here Nature beats Comedy out of the field: the wildest hominist or
feminist farce is insipid after the most commonplace "slice of life."
The pretence that women do not take the initiative is part of the farce.
Why, the whole world is strewn with snares, traps, gins and pitfalls
for the capture of men by women. Give women the vote, and in five years
there will be a crushing tax on bachelors. Men, on the other hand,
attach penalties to marriage, depriving women of property, of the
franchise, of the free use of their limbs, of that ancient symbol of
Public-domain text, read in full here on John Shaqi.
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