Man's supreme inheritance : $b Conscious guidance and control in relation to human evolution in civilizationAlexander, F. Matthias (Frederick Matthias)
Science
Man's supreme inheritance : $b Conscious guidance and control in relation to human evolution in civilization
(2) The pressure of the under part of the jaw and the lower part of
the back of the head or upper part of the neck on the collar.
(3) The marked lumbar curve of the spine with the usual shortening of
stature and protruding abdominal wall. Harmful flaccidity of the
abdominal muscles and general stagnation of the abdominal viscera.
(4) The fallen arches of the feet—one foot caused very considerable
pain at times when standing or walking.
(5) That colour of the skin and condition of the eyes which indicates
serious internal disorder.
(6) The upper part of the front of the chest was held unusually high
(pouter-pigeon style). The thorax was harmfully rigid.
(7) The apprehensive mental condition in his own personal affairs and
also in his contact with the practical affairs of life.
His medical advisers were unanimous in declaring that he was suffering
from nerve and digestive disorders and he failed to make any improvement
during many years of treatment. In his own words he “had year by year
gone from bad to worse” until he was often too nervous to cross a street
with ordinary traffic, and his fears in this connexion were increased by
frequent attacks of giddiness when he almost lost his sense of
equilibrium. He complained of painful distention after meals and
suffered much from insomnia.
CASE II
An attempt to conceal his height when interviewing actor-managers of
shorter stature.
It is well known in professional circles that there is a prevailing idea
in the mind of the actor-manager that he should be taller than the
actors who support him. The actor to whom I refer in this instance
discovered that he had missed several lucrative engagements by being
taller than the actor-manager with whom he had arranged personal
interviews. Incidentally I may mention that he possessed a fine physique
and enjoyed at this time good health. It is obvious that an actor must
endeavour to prevent the loss of good engagements in his profession, and
as his height was the only stumbling-block to his desires and
necessities he considered his problem from this point of view only.
Never for a moment did it occur to him that any mental or physical harm
could result. With this “_one idea_” view he sought his remedy and soon
decided that he must train himself to use his mechanisms in such a way
that he could shorten his stature during interviews when seeking
professional engagements. He succeeded in this direction, but
unfortunately subconscious guidance and control takes no heed of the
“means whereby” to be employed. His idea was merely to make an effort to
gain the “end” he desired, and he was never really conscious of the
actual means he ultimately employed. He merely conceived the idea of
standing in a way which made him appear as short or even shorter than
the person he was interviewing. Of the real mechanical happenings he was
quite ignorant, and he had never thought it necessary to improve his
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