In fact, the more one explored Mr. Smith’s holiday luggage, the less
one could make anything of it. One peculiarity of it was that almost
everything seemed to be there for the wrong reason; what is secondary
with every one else was primary with him. He would wrap up a pot or pan
in brown paper; and the unthinking assistant would discover that the
pot was valueless or even unnecessary, and that it was the brown paper
that was truly precious. He produced two or three boxes of cigars, and
explained with plain and perplexing sincerity that he was no smoker,
but that cigar-box wood was by far the best for fretwork. He also
exhibited about six small bottles of wine, white and red, and
Inglewood, happening to note a Volnay which he knew to be excellent,
supposed at first that the stranger was an epicure in vintages. He was
therefore surprised to find that the next bottle was a vile sham claret
from the colonies, which even colonials (to do them justice) do not
drink. It was only then that he observed that all six bottles had those
bright metallic seals of various tints, and seemed to have been chosen
solely because they have the three primary and three secondary colours:
red, blue, and yellow; green, violet and orange. There grew upon
Inglewood an almost creepy sense of the real childishness of this
creature. For Smith was really, so far as human psychology can be,
innocent. He had the sensualities of innocence: he loved the stickiness
of gum, and he cut white wood greedily as if he were cutting a cake. To
this man wine was not a doubtful thing to be defended or denounced; it
was a quaintly coloured syrup, such as a child sees in a shop window.
He talked dominantly and rushed the social situation; but he was not
asserting himself, like a superman in a modern play. He was simply
forgetting himself, like a little boy at a party. He had somehow made
the giant stride from babyhood to manhood, and missed that crisis in
youth when most of us grow old.
As he shunted his big bag, Arthur observed the initials I. S. printed
on one side of it, and remembered that Smith had been called Innocent
Smith at school, though whether as a formal Christian name or a moral
description he could not remember. He was just about to venture another
question, when there was a knock at the door, and the short figure of
Mr. Gould offered itself, with the melancholy Moon, standing like his
tall crooked shadow, behind him. They had drifted up the stairs after
the other two men with the wandering gregariousness of the male.
“Hope there’s no intrusion,” said the beaming Moses with a glow of good
nature, but not the airiest tinge of apology.
“The truth is,” said Michael Moon with comparative courtesy, “we
thought we might see if they had made you comfortable. Miss Duke is
rather—”
“I know,” cried the stranger, looking up radiantly from his bag;
“magnificent, isn’t she? Go close to her—hear military music going by,
like Joan of Arc.”
Public-domain text, read in full here on John Shaqi.
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