The girl in white dived in quickly enough, for she wore a white hat of
the proportions of a parachute, which might have wafted her away into
the coloured clouds of evening. She was their one splash of splendour,
and irradiated wealth in that impecunious place (staying there
temporarily with a friend), an heiress in a small way, by name Rosamund
Hunt, brown-eyed, round-faced, but resolute and rather boisterous. On
top of her wealth she was good-humoured and rather good-looking; but
she had not married, perhaps because there was always a crowd of men
around her. She was not fast (though some might have called her
vulgar), but she gave irresolute youths an impression of being at once
popular and inaccessible. A man felt as if he had fallen in love with
Cleopatra, or as if he were asking for a great actress at the stage
door. Indeed, some theatrical spangles seemed to cling about Miss Hunt;
she played the guitar and the mandoline; she always wanted charades;
and with that great rending of the sky by sun and storm, she felt a
girlish melodrama swell again within her. To the crashing orchestration
of the air the clouds rose like the curtain of some long-expected
pantomime.
Nor, oddly, was the girl in blue entirely unimpressed by this
apocalypse in a private garden; though she was one of most prosaic and
practical creatures alive. She was, indeed, no other than the strenuous
niece whose strength alone upheld that mansion of decay. But as the
gale swung and swelled the blue and white skirts till they took on the
monstrous contours of Victorian crinolines, a sunken memory stirred in
her that was almost romance—a memory of a dusty volume of _Punch_ in an
aunt’s house in infancy: pictures of crinoline hoops and croquet hoops
and some pretty story, of which perhaps they were a part. This
half-perceptible fragrance in her thoughts faded almost instantly, and
Diana Duke entered the house even more promptly than her companion.
Tall, slim, aquiline, and dark, she seemed made for such swiftness. In
body she was of the breed of those birds and beasts that are at once
long and alert, like greyhounds or herons or even like an innocent
snake. The whole house revolved on her as on a rod of steel. It would
be wrong to say that she commanded; for her own efficiency was so
impatient that she obeyed herself before any one else obeyed her.
Before electricians could mend a bell or locksmiths open a door, before
dentists could pluck a tooth or butlers draw a tight cork, it was done
already with the silent violence of her slim hands. She was light; but
there was nothing leaping about her lightness. She spurned the ground,
and she meant to spurn it. People talk of the pathos and failure of
plain women; but it is a more terrible thing that a beautiful woman may
succeed in everything but womanhood.
“It’s enough to blow your head off,” said the young woman in white,
going to the looking-glass.
Public-domain text, read in full here on John Shaqi.
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