opened, and all shone in one blaze of borrowed day except the favourite
boudoir: it too was open, and in it still sweeter flowers charmed the
sense. But its simple, though beautiful, decorations, were more obscured
than shown by the pale light of lamps, which shed almost a moonlight
around, as they darted their tempered rays through vases of transparent
alabaster. It seemed like the retreat of luxurious elegance receding
from the world's glare; and Selina herself appeared like the goddess of
this blest abode. Her dress had been entirely superintended by the
Viscountess, as Selina neither understood nor valued the arts of the
toilet; but her well versed aunt, knowing that the reputation of
Selina's immense fortune was already sufficiently extended, had
determined to consider nothing in this her first appearance, but how
best to heighten her natural loveliness. The style of her dress was of
the chastest simplicity. Her luxuriant hair, "when unadorned adorned the
most," shone in no borrowed ornament, but every tress was arranged by
the nicest hand of art, "then best exercised when least displayed." No
jewels shed round her their meretricious glare; her gown of pure white
seemed as spotless as the robe of innocence--but its beauty was not the
effect of chance: no fold was unimpressed with the finest touch
experienced taste could bestow; and, as Lady Eltondale turned her eyes
on the beautiful girl, thus moulded, to all the external perfection she
could have desired, she smiled at the anticipation of the triumphs that
awaited her.
Public-domain text, read in full here on John Shaqi.
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