Manners, Customs, and Dress During the Middle Ages and During the Renaissance PeriodJacob, P. L.
History
Manners, Customs, and Dress During the Middle Ages and During the Renaissance Period
Jacob, P. L.
Clothing and dress; Manners and customs; Middle Ages; Renaissance
A gentleman from Normandy, named Hugonin de Grensay, thought he could
create a sensation by having a dance of wild men to please the ladies. "He
admitted to his plot," says Froissart, "the king and four of the principal
nobles of the court. These all had themselves sewn up in close-fitting
linen garments covered with resin on which a quantity of tow was glued,
and in this guise they appeared in the middle of the ball. The king was
alone, but the other four were chained together. They jumped about like
madmen, uttered wild cries, and made all sorts of eccentric gestures. No
one knew who these hideous objects were, but the Duke of Orleans
determined to find out, so he took a candle and imprudently approached too
near one of the men. The tow caught fire, and the flames enveloped him
and the other three who were chained to him in a moment." "They were
burning for nearly an hour like torches," says a chronicler. "The king had
the good fortune to escape the peril, because the Duchesse de Berry, his
aunt, recognised him, and had the presence of mind to envelop him in her
train" (Fig. 185). Such a calamity, one would have thought, might have
been sufficient to disgust people with masquerades, but they were none the
less in favour at court for many years afterwards; and, two centuries
later, the author of the "Orchésographie" thus writes on the subject:
"Kings and princes give dances and masquerades for amusement and in order
to afford a joyful welcome to foreign nobles; we also practise the same
amusements on the celebration of marriages." In no country in the world
was dancing practised with more grace and elegance than in France. Foreign
dances of every kind were introduced, and, after being remodelled and
brought to as great perfection as possible, they were often returned to
the countries from which they had been imported under almost a new
character.
[Illustration: Fig. 186.--Musicians accompanying the Dancing.--Fac-simile
of a Wood Engraving in the "Orchésographie" of Thoinot Arbeau (Jehan
Tabourot): 4to (Langres, 1588).]
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