In 1548, the dances of the Béarnais, which were much admired at the court of the Comtes de Foix, especially those called the _danse mauresque_ and the _danse des sauvages_, were introduced at the court of France, and excited great merriment. So popular did they become, that with a little modification they soon were considered essentially French. The German dances, which were distinguished by the rapidity of their movements, were also thoroughly established at the court of France. Italian, Milanese, Spanish, and Piedmontese dances were in fashion in France before the expedition of Charles VIII. into Italy: and when this king, followed by his youthful nobility, passed over the mountains to march to the conquest of Naples, he found everywhere in the towns that welcomed him, and in which balls and masquerades were given in honour of his visit, the dance _à la mode de France_, which consisted of a sort of medley of the dances of all countries. Some hundreds of these dances have been enumerated in the fifth book of the "Pantagruel" of Rabelais, and in various humorous works of those who succeeded him. They owed their success to the singing with which they were generally accompanied, or to the postures, pantomimes, or drolleries with which they were supplemented for the amusement of the spectators. A few, and amongst others that of the _five steps_ and that of the _three faces_, are mentioned in the "History of the Queen of Navarre." [Illustration: Fig. 187.--The Dance called "La Gaillarde."--Fac-simile of Wood Engravings from the "Orchésographie" of Thoinot Arbeau (Jehan Tabourot): 4to (Langres, 1588).]