Manners, Customs, and Dress During the Middle Ages and During the Renaissance PeriodJacob, P. L.
History
Manners, Customs, and Dress During the Middle Ages and During the Renaissance Period
Jacob, P. L.
Clothing and dress; Manners and customs; Middle Ages; Renaissance
During the captivity of King John in England, royal authority having
considerably declined, the powers of Parliament and other bodies of the
magistracy so increased, that under Charles VI. the Parliament of Paris
was bold enough to assert that a royal edict should not become law until
it had been registered in Parliament. This bold and certainly novel
proceeding the kings nevertheless did not altogether oppose, as they
foresaw that the time would come when it might afford them the means of
repudiating a treaty extorted from them under difficult circumstances
(Fig. 306).
The close connection which existed between the various Parliaments and
their political functions--for they had occasion incessantly to interfere
between the acts of the government and the respective pretensions of the
provinces or of the three orders--naturally increased the importance of
this supreme magistracy. More than once the kings had cause to repent
having rendered it so powerful, and this was the case especially with the
Parliament of Paris. In this difficulty it is interesting to note how the
kings acted. They imperceptibly curtailed the various powers of the other
courts of justice, they circumscribed the power of the Parliament of
Paris, and proportionately enlarged the jurisdiction of the great
bailiwicks, as also that of the Châtelet. The provost of Paris was an
auxiliary as well as a support to the royal power, which nevertheless held
him in its grasp. The Châtelet was also a centre of action and of
strength, which counteracted in certain cases parliamentary opposition.
Thence arose the most implacable rivalries and dissensions between these
various parties.
[Illustration: Fig. 306.--Promulgation of an Edict.--Fac-simile of a
Miniature in "Anciennetés des Juifs," (French Translation from Josephus),
Manuscript of the Fifteenth Century, executed for the Duke of Burgundy
(Library of the Arsenal of Paris.)]
Public-domain text, read in full here on John Shaqi.
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