Manual of Classical Erotology (De figuris Veneris)
General
Manual of Classical Erotology (De figuris Veneris)
Erotic literature; Sex customs -- Greece; Sex customs -- Rome
“This Drusilla was the famous Livia, the wife of Tiberius Nero, who
had been one of Anthony’s friends. Augustus fell violently in love
with her, and Tiberius gave her up to him, although she was at the
time six months with child. A good many jokes were made about the
eagerness of the Emperor, and one day, while they were all at table,
and Livia was reclining by Augustus, one of those naked children,
whom matrons used to educate for their pleasures, going up to Livia
said: “What are you doing here? yonder is your husband”, pointing to
Nero, “there he is”[18]. Soon afterwards Livia was confined, and the
Romans said openly, that lucky people get children three months
after being married, which passed into a proverb. One historian says
that Augustus was obliged to caress his wife “after the manner of
beasts” on account of her pregnancy, and it was to this luxurious
attitude that the cameo of Apollonius, the celebrated gem-cutter of
the time of Augustus, makes allusion. True that the state in which
Livia was may have made this posture necessary: but it seems that it
was at all times to the taste of the Ancients, either because they
considered this attitude favorable for procreation, as Lucretius
maintains, or because they found it to be a refinement of
voluptuousness. The most extraordinary and least natural postures
have always appeared to rakes as enhancing the pleasure of the
conjunction. But it must be admitted that imagination still outruns
actual possibilities.”
A singular reason for the necessity of encountering a woman backwards is
given by Aloysia Sigaea, with her usual sagacity:
“For pleasure, one likes a vulva which is not placed too far back,
so as to be entirely hidden by the thighs; it should not be more
than nine or ten inches from the navel. With the greater number of
girls the pubis goes so far down, that it may easily be taken as the
other way of pleasure. With such coition is difficult. Theodora
Aspilqueta could not be deflowered, till she placed herself prone on
her stomach, with her knees drawn up to her sides. Vainly had her
husband tried to manage her, while lying on her back, he only lost
his oil” (Dialogue VII).
Ovid recommends this way with women who begin to be wrinkled:
“Likewise you, whose stomach Lucina has marked with wrinkles, mount
from behind, like the flying Parthian with his steed” (_Art of
Love_, III., v. 785, 86).
The same advice also seems to be given by him a little before:
“Let them be seen from behind whose backs are sightly” (v. 774).
But besides necessity, it is a fact that women are worked in this way
out of mere caprice, variety offering the greatest pleasure. It is
simply for this reason that Tullia suffers Fabrizio to do her that way,
in Aloysia Sigaea:
Public-domain text, read in full here on John Shaqi.
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