Manual of Classical Erotology (De figuris Veneris)
General
Manual of Classical Erotology (De figuris Veneris)
Erotic literature; Sex customs -- Greece; Sex customs -- Rome
The said “Hermaphroditus” so called, “because”, says La Monnoye, “all
the filth in connection with both sexes forms the theme of the volume”,
is a collection of Latin Epigrams filled out with a patchwork of
quotations from Virgil, Ovid and Martial, in which memory has a much
larger share than imagination, and which has never appeared to us to
possess any great literary value. But the mishaps the book has had to
encounter, its having been publicly burnt in manuscript in the market
places of Bologna, Ferrara and Milan, the anathemas hurled against it by
some savants, and the favour with which it was received by others, who
were glad to awaken by its perusal old reminiscences, have given it a
kind of reputation. The Abbé Mercier de Saint-Léger was the first to
publish it in Paris, together with the works of four other poets of the
same sort: Ramusius de Rimini, Pacificus Maximus, Jovianus Pontanus, and
Joannes Secundus[1]. But Forberg, whilst fully appreciating the work and
particularly the courage of the learned Frenchman, found much to find
fault with; the Epigrams of Panormitanus were not numbered, which made
citations from them troublesome, a great number of readings were faulty,
and, thanks to his manuscript, he could correct them; lastly, Mercier de
Saint-Léger had omitted to give any running commentary on his author, to
explain his text by means of notes and the comparison of parallel
passages, whereas, according to Forberg a book of this character
required notes by tens and hundreds, each verse, each hemistich, each
word, offering matter for philosophical reflections and highly
interesting comparisons. He therefore took the book in hand and began to
collect with inquisitive care everything the Ancients had written upon
the delicate subjects treated in the “Hermaphroditus.”
But having come to the end of his task, he found that his commentary
would drown the book, that hardly would he be able to get in a verse of
it every two or three pages, all the remainder of the book being taken
up by his notes, and that the result would be chaos. Dividing his work
into two parts, he left the smaller one in the shape of annotations,
reduced to the merest indispensable explanations, to the
“Hermaphroditus”, while of the second and more copious harvest of his
erudite researches he composed a special treatise, which he had printed
as a supplement under the title, “Apophoreta”, or “Second Course”; this
treatise being in his eyes only a kind of dessert, following upon the
substantial repast furnished by the Latin Poet of the XVIth. century.
The whole forms a volume much sought after by amateurs: “Antonii
Panormitae _Hermaphroditus;_ primus in Germania edidit et Aphoreta
adjecit Frider. Carol. Forbergius. Coburgi, sumtibus Meuseliorum, 1824,
8vo.”[2].
Public-domain text, read in full here on John Shaqi.
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