Cornwall (England : County) -- Fiction; England -- Social life and customs -- 20th century -- Fiction; Vacations -- Fiction
“How they can allow it I don’t know!” Mrs. Maradick leant back from the
window. “One might as well—Whitechapel, you know, and all that sort of
thing.”
The last turn of the road to the hotel was very steep indeed, and the
weight of the boxes seemed to accumulate with every step; the horses
strained and tugged, and for a moment they hesitated and half slid
backward, then with a hoarse shout from the driver, a gigantic straining
of limb and muscle, they were through the hotel gates. For the hotel
stands in its own grounds, and, as you approach it up a drive of larch
and birch, its privacy is startling and unusual.
One hundred years before it had been the manor of the estate, the feudal
castle of a feudal town, ruling, like some Italian despot, the country
at its feet. Then its masters had fallen at the feet of the Juggernaut
of modern civilisation and improvement, and their tyranny had passed
into the hands of others. For some years the house had lain desolate and
threatened to fall into utter ruin and decay; its gardens had been
transformed into a wilderness, and its rooms had gathered dust and
mildew into their quarters. Then in 1850 or thereabouts young Mr.
Bannister of Manchester had seen his chance. Treliss, at that time, was
an obscure and minute village of no fame whatever; but it had fishing,
colour and bathing, so Mr. Bannister seized his opportunity.
He had large resources at his back and a very original brain at his
service, so he set to work and was immediately successful. He had no
intention of turning it into a modern watering-place—there was enough
of that (speaking now of 1860) to be done elsewhere—he had Pendragon
and Port Looth in his mind. No, he would let it keep its
character—indeed, he would force it to keep its character. For some
years there were other things to do and his plans were still in embryo;
then in 1870 (no longer young Mr. Bannister, but stout and prosperous
Mr. Bannister) he took the house in hand.
He interfered in no way with its original character. There were a great
many alterations, of course, but, through it all, it retained that
seventeenth-century charm and spaciousness—that air of surprise and
unexpected corners, the sudden visions of hidden gardens bordered by
close-clipped box and the broad depths of wide stone staircases and dark
oak panelling—a charm that was to be found in no other hotel in
England, a delicious survival that gave you seventeenth-century England
without any of its discomforts and drawbacks, sanitary or otherwise.
For now, in 1908, it had all the very latest improvements. There were
lifts, and the very best methods of ventilation; the electric light was
of a delicious softness, and carpets and chairs were so luxurious that
it was difficult to force oneself outside. But then, when you were
outside, you wondered how you could ever stay in; for there were lawns
with the most wonderful views of the sea and tennis and croquet and
badminton and—and now the Maradicks were at the door.
Public-domain text, read in full here on John Shaqi.
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