Cornwall (England : County) -- Fiction; England -- Social life and customs -- 20th century -- Fiction; Vacations -- Fiction
Maradick looked again at the morning. The mists were rising higher in
the air, and all the colours, the pale golden sand, the red roofs, the
brown bend of the rocks, were gleaming in the sun. He would go and bathe
and then search out Punch.
It was a quarter past five as he passed down the stairs; the house was
in the most perfect stillness, and only the ticking of innumerable
clocks broke the silence. Suddenly a bird called from the garden; a
little breath of wind, bringing with it the scent of pinks and roses,
trembled through the hall.
When he reached the cove the sea was like glass. He had never bathed
early in the morning before, and a few weeks ago he would have laughed
at the idea. A man of his age bathing at half-past five in the morning!
The water would be terribly cold. But it wasn’t. He thought that he had
never known anything so warm and caressing as he lay back in it and
looked up through the clear green. There was perfect silence. Things
came into his mind, some operas that he had heard, rather reluctantly,
that year in London. The opening of the third act of Puccini’s “Tosca,”
with the bell-music and the light breaking over the city. He remembered
that he had thought that rather fine at the time. The lovers in “Louise”
on Montmartre watching the lights burst the flowers below them and
saluting “Paris!” He had appreciated that too. A scene in “To Paradise,”
with a man somewhere alone in a strange city watching the people
hurrying past him and counting the lamps that swung, a golden chain,
down the street. Some picture in the Academy of that year, Sim’s “Night
Piece to Julia.” He hadn’t understood it or seen anything in it at the
time. “One of those new fellows who just stick the paint on anyhow,” he
had remarked; but now he seemed to remember a wonderful blue dress and a
white peacock in the background!
How funny it was, he thought, as he plunged, dripping, back on to the
beach, that the things that a fellow scarcely noticed at all at the time
should be just the things that came into his mind afterwards. And on the
sand he saw Toby, the dog, gravely watching him. Toby came courteously
towards him, sniffed delicately at his socks, and then, having decided
apparently that they were the right kind of socks and couldn’t really be
improved on, sat down with his head against Maradick’s leg.
Maradick tickled his head and decided that pugs weren’t nearly so ugly
as he had thought they were. But then there was a world of difference
between Toby and the ordinary pug, the fat pug nestling in cushions on
an old lady’s lap, the aristocratic pug staring haughtily from the soft
luxury of a lordly brougham, the town pug, over-fed, over-dressed,
over-washed. But Toby knew the road, he had seen the world, he was a dog
of the drama, a dog of romance; he was also a dog with a sense of
humour.
Public-domain text, read in full here on John Shaqi.
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