Proust, Marcel, 1871-1922 -- Criticism and interpretation
Sans doute il est jeune. Il est jeune de la jeunesse de
l’auteur. Mais il est vieux de la vieillesse du monde.
C’est le printemps des feuilles sur les rameaux antiques,
dans la forêt séculaire. On dirait que les pousses
nouvelles sont attristés du passé profond des bois et
portent le deuil de tant de printemps morts....
Il y a en lui du Bernardin de Saint-Pierre dépravé et du
Pétrone ingénu.
This is not the moment to pretend to estimate impartially his exact
place and achievement in letters. For the present we can only feel his
death, almost personally, so much has he woven himself into the hearts
of his readers, and apply to him in all sincerity the words Diderot
used of his predecessor in time:
Plus on a l’âme belle, plus on a le goût exquis et pur,
plus on connaît la nature, plus on aime la vérité, plus on
estime les ouvrages de Proust.
FRANCIS BIRRELL.
IV
_A SENSITIVE PETRONIUS_
Marcel Proust died in Paris on the 18th day of November last. To
many Englishmen his name is still unknown; to others his death came
as a shock so great that it was as if one of their most intimate
acquaintances had suddenly passed from them; and even among those
who have read his works there is, in this country at least, quite
pointed disagreement. On one side there are many who will confess
in private, though not so willingly in public, that they have never
been able to “get through” his great work; that “the man is a bore,”
is “undiscussable in mixed society,” is “a snob,” and that, if you
ask their opinion, “there is too much fuss made about the fellow
altogether.” On the other are men, not given to overpraising the age in
which they live, who unashamedly compare him with Montaigne, Stendhal,
Tolstoy, and other “masters of the human heart”; and not that only, but
will discuss by the hour together Swann, the Duchesse de Guermantes,
Madame de Villeparisis, Bloch, M. de Charlus, Albertine, Gilberte,
Odette, the impossible and indefatigable Verdurins, and a hundred of
his other characters, as if they were personal friends, and as if it
were of real importance to them to discover what exactly were the
motives of So-and-so on such and such an occasion, and how So-and-so
else would view their actions if he knew.
Public-domain text, read in full here on John Shaqi.
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