Chicago (Ill.) -- Fiction; City and town life -- Fiction; Coal mines and mining -- Pennsylvania -- Fiction; Labor leaders -- Fiction
The girl in the hall bedroom thought constantly of McGregor. When he had
gone to night school another young man of the house who wore a Panama
hat came from the floor above and, putting his hands on the door frames
of her room, stood looking at her and talking. In his lips he held
a cigarette, which when he talked hung limply from the corner of his
mouth.
This young man and the black-eyed girl kept up a continuous stream of
comments on the doings of red-haired McGregor. Begun by the young man,
who hated him because of his silence, the subject was kept alive by the
girl who wanted to talk of McGregor.
On Saturday nights the young man and the girl sometimes went together to
the theatre. One night in the summer when they had returned to the
front of the house the girl stopped. “Let's see what the big red-head is
doing,” she said.
Going around the block they stole in the darkness down an alleyway and
stood in the little dirty court looking up at McGregor who, with his
feet in the window and a lamp burning at his shoulder, sat in his room
reading.
When they returned to the front of the house the black-eyed girl kissed
the young man, closing her eyes and thinking of McGregor. In her room
later she lay abed dreaming. She imagined herself assaulted by the young
man who had crept into her room and that McGregor had come roaring down
the hall to snatch him away and fling him outside the door.
At the end of the hallway near the stairway leading to the street lived
a barber. He had deserted a wife and four children in a town in Ohio
and to prevent recognition had grown a black beard. Between this man and
McGregor a companionship had sprung up and they went together on Sunday
mornings to walk in the park. The black bearded man called himself Frank
Turner.
Frank Turner had a passion. Through the evenings and on Sunday
afternoons he sat in his room making violins. He worked with a knife,
glue, pieces of glass and sand paper and spent his earnings for
ingredients for the making of varnishes. When he got hold of a piece of
wood that seemed an answer to his prayers he took it to McGregor's
room and holding it up to the light talked of what he would do with it.
Sometimes he brought a violin and sitting in the open window tested the
quality of its tone. One evening he took an hour of McGregor's time to
talk of the varnish of Cremona and to read to him from a worn little
book concerning the old Italian masters of violin making.
* * * * *
On a bench in the park sat Turner, the maker of violins, the man
who dreamed of the rediscovery of the varnish of Cremona, talking to
McGregor, son of the Pennsylvania miner.
Public-domain text, read in full here on John Shaqi.
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