Mardi, and a voyage thither, Vol. 2 (of 2)Melville, Herman
Philosophy
Mardi, and a voyage thither, Vol. 2 (of 2)
Melville, Herman
Adventure stories; Polynesia -- Description and travel -- Fiction
Oh! that an eagle should be stabbed by a goose-quill! But at best, the
greatest reviewers but prey on my leavings. For I am critic and
creator; and as critic, in cruelty surpass all critics merely, as a
tiger, jackals. For ere Mardi sees aught of mine, I scrutinize it
myself, remorseless as a surgeon. I cut right and left; I probe, tear,
and wrench; kill, burn, and destroy; and what’s left after that, the
jackals are welcome to. It is I that stab false thoughts, ere hatched;
I that pull down wall and tower, rejecting materials which would make
palaces for others. Oh! could Mardi but see how we work, it would
marvel more at our primal chaos, than at the round world thence
emerging. It would marvel at our scaffoldings, scaling heaven; marvel
at the hills of earth, banked all round our fabrics ere completed.—How
plain the pyramid! In this grand silence, so intense, pierced by that
pointed mass,—could ten thousand slaves have ever toiled? ten thousand
hammers rung?—There it stands, —part of Mardi: claiming kin with
mountains;—was this thing piecemeal built?—It was. Piecemeal?—atom by
atom it was laid. The world is made of mites.”
YOOMY (_musing._)—It is even so.
ABRAZZA—Lombardo was severe upon the critics; and they as much so upon
him;—of that, be sure.
BABBALANGA—Your Highness, Lombardo never presumed to criticise true
critics; who are more rare than true poets. A great critic is a sultan
among satraps; but pretenders are thick as ants, striving to scale a
palm, after its aerial sweetness. And they fight among themselves.
Essaying to pluck eagles, they themselves are geese, stuck full of
quills, of which they rob each other.
ABRAZZA (_to Media._)—Oro help the victim that falls in Babbalanja’s
hands!
MEDIA.—Ay, my lord; at times, his every finger is a dagger: every
thought a falling tower that whelms! But resume, philosopher—what of
Lombardo now?
BABBALANJA—“For this thing,” said he, “I have agonized over it
enough.—I can wait no more. It has faults—all mine;—its merits all its
own;—but I can toil no longer. The beings knit to me implore; my heart
is full; my brain is sick. Let it go—let it go—and Oro with it.
Somewhere Mardi has a mighty heart—-_that_ struck, all the isles shall
resound!”
ABRAZZA—Poor devil! he took the world too hard.
MEDIA.-As most of these mortals do, my lord. That’s the load, self-
imposed, under which Babbalanja reels. But now, philosopher, ere Mardi
saw it, what thought Lombardo of his work, looking at it objectively,
as a thing out of him, I mean.
ABRAZZA—No doubt, he hugged it.
BABBALANJA—Hard to answer. Sometimes, when by himself, he thought
hugely of it, as my lord Abrazza says; but when abroad, among men, he
almost despised it; but when he bethought him of those parts, written
with full eyes, half blinded; temples throbbing; and pain at the heart—
ABRAZZA—Pooh! pooh!
Public-domain text, read in full here on John Shaqi.
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