Mardi, and a voyage thither, Vol. 2 (of 2)Melville, Herman
Philosophy
Mardi, and a voyage thither, Vol. 2 (of 2)
Melville, Herman
Adventure stories; Polynesia -- Description and travel -- Fiction
“My lord the king is merry upon me. To him my more subtle cogitations
seem foolishness. But believe me, my lord, there is more to be thought
of than to be seen. There is a world of wonders insphered within the
spontaneous consciousness; or, as old Bardianna hath it, a mystery
within the obvious, yet an obviousness within the mystery.”
“And did I ever deny that?” said Media.
“As plain as my hand in the dark,” said Mohi.
“I dreamed a dream,” said Yoomy.
“They banter me; but enough; I am to blame for discoursing upon the
deep world wherein I live. I am wrong in seeking to invest sublunary
sounds with celestial sense. Much that is in me is incommunicable by
this ether we breathe. But I blame ye not.” And wrapping round him his
mantle, Babbalanja retired into its most private folds.
Ere coming in sight of Uma, we put into a little bay, to pay our
respects to Hevaneva, a famous character there dwelling; who, assisted
by many journeymen, carried on the lucrative business of making idols
for the surrounding isles.
Know ye, that all idols not made in Maramma, and consecrated by
Hivohitee; and, what is more, in strings of teeth paid down for to
Hevaneva; are of no more account, than logs, stocks, or stones. Yet
does not the cunning artificer monopolize the profits of his vocation;
for Hevaneva being but the vassal of the Pontiff, the latter lays claim
to King Leo’s share of the spoils, and secures it.
The place was very prettily lapped in a pleasant dell, nigh to the
margin of the water; and here, were several spacious arbors; wherein,
prostrate upon their sacred faces, were all manner of idols, in every
imaginable stage of statuary development.
With wonderful industry the journeymen were plying their tools;—some
chiseling noses; some trenching for mouths; and others, with heated
flints, boring for ears: a hole drilled straight through the occiput,
representing the auricular organs.
“How easily they are seen through,” said Babbalanja, taking a sight
through one of the heads.
The last finish is given to their godships, by rubbing them all over
with dried slips of consecrated shark-skin, rough as sand paper, tacked
over bits of wood.
In one of the farther arbors, Hevaneva pointed out a goodly array of
idols, all complete and ready for the market. They were of every
variety of pattern; and of every size; from that of a giant, to the
little images worn in the ears of the ultra devout.
“Of late,” said the artist, “there has been a lively demand for the
image of Arbino the god of fishing; the present being the principal
season for that business. For Nadams (Nadam presides over love and
wine), there has also been urgent call; it being the time of the grape;
and the maidens growing frolicsome withal, and devotional.”
Public-domain text, read in full here on John Shaqi.
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