Margaret Sanger: an autobiography.Sanger, Margaret
History
Margaret Sanger: an autobiography.
Sanger, Margaret
Birth control -- United States -- Biography; Sanger, Margaret, 1879-1966
With more pleasure than _Progress and Poverty_ I recall a _History of
the World_, _Lalla Rookh_, _Gulliver’s Travels_, and _Aesop’s Fables_.
The last-named touched a sympathetic, philosophical chord in father.
“Wolf! Wolf!” and “Sour Grapes” were often used to exemplify the
trifling imperfections to which all human beings were subject. For his
parables he drew also on the Bible, the most enormous volume you ever
laid eyes on, brass bound, with heavy clasps, which was the repository
of the family statistics; every birth, marriage, death was entered
there. The handbooks to father’s work were the physiologies, one of
which was combined with a materia medica. These were especially
attractive to me, perhaps because they were illustrated with vivid
plates, mostly red and blue, and described the fascinating, unknown
interior of the human body.
Neighbors were constantly coming to father for help. “What do you think
is the matter with this child?” Even without a thermometer he could tell
by feeling the skin whether you were feverish. He prescribed bismuth if
the diagnosis were “summer complaint,” castor oil if you had eaten
something which had disagreed with you, and always sulphur and molasses
in the spring “to clean the blood.”
Father’s cure-all was whiskey—“good whiskey,” which “liberated the
spirit.” There was nothing from a deranged system to a depressed mind
that it could not fix up. He never drank alone, but no masculine guest
ever entered the door or sat down to pass the time of day without his
producing the bottle. “Have a little shtimulant?”
The chief value of whiskey to father, however, was medicinal. If mumps
turned into a large, ugly abscess, he put the blade of his jackknife in
the fire, lanced the gland, and cleaned the wound with whiskey—good
whiskey. When my face was swollen with erysipelas, he painted it
morning, afternoon, and evening with tincture of iodine; the doctor had
so ordered. I was held firmly in place each time this torture was
inflicted, and, as soon as released, jumped and ran screaming and
howling into the cellar, where I plunged my burning face into a pan of
cool buttermilk until the pain subsided. This went on for several days,
and I was growing exhausted from the dreaded iodine. Finally father
decided to abandon the treatment and substitute good whiskey. Then I
recovered.
As necessary to father as the physiologies was a book by the famous
phrenologist, Orson Fuller, under whom he had studied. Father believed
implicitly that the head was the sculptured expression of the soul.
Straight or slanting eyes, a ridge between them, a turned-up nose, full
lips, bulges in front of or behind the ears—all these traits had
definite meaning for him. A research worker had to be inquisitive, a
seeker with more than normal curiosity-bumps; a musician had to have
order and time over the eyebrows; a pugilist could not be made but had
to have the proper protuberances around the ears.
Public-domain text, read in full here on John Shaqi.
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