Margarita's Soul: The Romantic Recollections of a Man of FiftyBacon, Josephine Daskam
General
Margarita's Soul: The Romantic Recollections of a Man of Fifty
Bacon, Josephine Daskam
Fiction
The horror of that humiliating scene woke him, years afterward,
through more than one clammy midnight. In one second the peaceful
dining-room was a chattering, howling reign of terror. For Margarita,
with a choking cry of rage and anguish, threw the ice with terrible
precision into the bland face of the waiter who had brought it; threw
her glass of water with an equal accuracy into the wide-open eyes of
the head waiter, who appeared instantly; threw Roger's wine-glass full
into his own horrified face as he rose to catch her death-dealing
hand, and lifting with the magnificent single-armed sweep of a Greek
war-goddess her chair from behind her, stood facing them, glaring
silently, a slate-eyed Pallas gloriously at bay!
The red wine poured down Roger's face like blood; the force of the
blow nearly stunned him, but by a supreme effort he bit furiously at
his tongue and the pain steadied him. As he swept the table over with
a crash and wrenched the chair from her hand (and he took his strength
for it) he became aware that the angry excitement behind his back, the
threatening babel, had subsided to long-drawn sighs of pity, and
realised with a sort of disgusted relief that the blow he had himself
suffered from this panting, writhing maenad had somehow changed the
situation and that he was an object of horrified sympathy. Mercifully,
the room was scantily filled, for it was early, and his curt
explanation was accepted in respectful silence.
"Mademoiselle is--is not responsible for her act, I beg you to
believe," he said grimly, white with humiliation and pain. "I beg you
will accept ..."
The two waiters pocketed a week's earnings in voluble deprecation, the
proprietor shrugged his excitement away into an admirable regret, the
diners wrenched their eyes from Margarita's face and affected to see
nothing as Roger buttoned her cheapish vague-coloured jacket around
her and ordered her sternly to straighten her hat. Her fingers
literally trembled with rage, her soft, round breasts, strangely
distinct in outline to his fingers as he strained the tight jacket
over them, rose and fell stormily; in a troubled flash of memory he
seemed to be handling some throbbing, shot bird. His own clumsiness
and strange, heady elation he attributed to the shock of the wine in
his face.
In an incredibly short time the table was upright, the debris removed,
the room, except for the indefinable, electric sense of recent tragedy
that hovers over such scenes, much as it had been. Roger had carried,
fortunately for him, a light overcoat on his arm, and this would hide
his white, stained triangle of vest with a little management.
Grasping Margarita by the arm he led her out of the room, and for the
first time questioned her.
"Are you mad?" he muttered. "What do you mean by such a performance?"
Public-domain text, read in full here on John Shaqi.
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