Margarita's Soul: The Romantic Recollections of a Man of FiftyBacon, Josephine Daskam
General
Margarita's Soul: The Romantic Recollections of a Man of Fifty
Bacon, Josephine Daskam
Fiction
My dear mother! To write of her even so slightly is to see her in her
neat black dress with its web-like bands of lawn at neck and wrists,
directing old Jeanne, _bonne-a-tout-faire_ now in our small
establishment, watering our window geraniums from a quaint, long-nosed
copper pot, drilling Mr. Boffin, the poodle, in his manners, and, when
the early dinner was out of the way, sitting in all simplicity with
Jeanne at work upon my shirts--the only example of really democratic
institutions that I ever saw in this irascible democracy. I should
like to have seen Madam Bradley sewing with the cook and innocently
gossiping over the old days!
Well, well, even to have invented so inhumanly possible an ideal as
democracy is a great feat and a wonderful exhibition of the powers of
our minds on this planet, I suppose. And I am not sure that it is a
greater proof of sincerity to practice it while denying it in theory,
as they do in the old countries, than to reverse the process in the
new ones. Americans are such incurable idealists! And if Plato is
right and the idea is the really important part of the matter, then
the idea of seventy--or is it eighty, now?--millions of equal lords of
creation is really more to the point than the fact that they don't
exist. But why, oh why, must equality produce such bad manners? They
must have been very bad to make such an impression upon a little lad
of ten. And who can explain its extraordinary effect upon the voice?
Why does it kill all modulation, all tone-color, all delicate shades
of thought and passion equally, and resolve that great gift, which I
sometimes think the greatest difference between me and my dog, into a
toneless, mumble-chopped grunting?
That was the glory of Margarita's voice: if she but informed you that
she would like more bread, your ear relished that series of
unimportant syllables precisely as the tongue relishes a satisfying
dish; with her, pleading, commanding, refusing, admiring, were four
perfectly different tonal processes; a blind man, an Eskimo or a South
Sea Islander would have understood that voice perfectly. And even now,
merely a shadow of what it once was, it is a lesson to all about her.
Public-domain text, read in full here on John Shaqi.
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