Margarita's Soul: The Romantic Recollections of a Man of FiftyBacon, Josephine Daskam
General
Margarita's Soul: The Romantic Recollections of a Man of Fifty
Bacon, Josephine Daskam
Fiction
He pushed open the door, and we entered, gazing curiously around us.
We stood in a large, square room, evidently a dining and living-room,
washed with a greyish plaster, at once warm and cool. There was a
deep, wide hearth of faded red brick on one side, and an old oak
dresser covered with a very good service of gold-rimmed white china
and several pieces of handsome Sheffield plate. The few chairs and
settees and the one large table in the centre were all of that solid
yet graceful Georgian style that our ancestors brought with them; the
bare clean floor and the home-made rugs, taken with this furniture,
gave an effect more usual now in a summer cottage than it was then. On
the walls were eight or ten water-colour sketches framed in rustic
wood; a worn wicker _chaise-longue_ with patchwork cushions, struck a
curiously exotic note; two spinning-wheels, a large and a small,
flanked the fire and bore every evidence of use, not aestheticism; a
silver bowl of unmistakable Queen Anne date, beautifully chased,
filled with fiery nasturtiums, stood in strange neighbourliness to a
cheap American alarum clock; a lovely, tarnished oval mirror reflected
a hideous floral calendar, the advertisement of some seedsman. The
room turned in a small ell, and this, which was evidently the kitchen
corner of it, could be completely hidden from the rest by a quaint
screen, very broad and high, of home manufacture, the body of which
was composed of several calfskins beautifully marked and adroitly
fitted together. This last gave a touch of quaint antiquity, a hint of
the bold and primitive that was deliciously satisfying. I thought it
then and still think it a room in ten thousand. It had no other door
nor any window opening on the beach, and this produced a softened
dimness, a richness, so to speak, of lighting and gloom, a sinking
into shadow of the hearth and spinning-wheels, a lightness of the
dresser and the polished settle near it that struck the eye with the
same contented shock one gets from a mellow Dutch interior--the same
impression of previous acquaintance, of a once familiar, only half
forgotten home.
Public-domain text, read in full here on John Shaqi.
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