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MARGE ASKINFORIT
BY BARRY PAIN
NEW YORK
DUFFIELD AND COMPANY
1921
CONTENTS
AUTHOR'S NOTE 7
I. THE CATASTROPHIC FAMILY 9
II. EBULLIENT YOUTH 18
III. GLADSTONE--LLOYD GEORGE--INMEMORISON--DR.
BENGER HORLICK 26
IV. THE SOLES 40
V. MISFIRES 50
VI. TESTIMONIALS--ROYAL APPRECIATION 64
VII. SELF-ESTIMATE 78
LATE EXTRA 83
"And every week you opened your hoard
Of truthful and tasteful tales--
How you sat on the knees of the Laureate Lord,
How you danced with the Prince of Wales--
And we knew that the Sunday Times had scored
In Literature and Sales."
_To Margot in Heaven._
BY CLARENCE G. HENNESSY (circa 1985).
AUTHOR'S NOTE
This book was suggested by the reading of some extracts from the
autobiography of a brilliant lady who had much to tell us about a number
of interesting people. There was a quality in that autobiography which
seemed to demand parody, and no doubt the autobiographer who cannot wait
for posterity and perspective will pardon a little contemporary
distortion.
In adding my humble wreath to the flatteries--in their sincerest
form--which she has already received, I should like to point out that a
parody of an autobiography should not be a caricature of the people
biographed--some of whom must already have suffered enough. I have
lowered the social key of the original considerably, not only to bring
it within the compass of the executant, but also to make a distinction.
I have increased the remoteness from real life--which was sometimes
appreciable in the original--to such an extent that it should be
impossible to suppose that any of the grotesques of the parody is
intended for anybody in real life. Nobody in the parody is intended to
be a representation, or even a misrepresentation, of any real person
living or dead. For instance, Inmemorison is not intended to be a
caricature of Tennyson, but the passage which deals with him is intended
to parody some of the stuff that has been written about Tennyson.
No doubt the author of the original has opened to the public several
doors through which it is not thinkable that a parodist would care to
follow her. Apart from that, parody should be brief, just as
autobiography should be long--_ars brevis, vita longa_.
BARRY PAIN.
_October_ 8, 1920.
Public-domain text, read in full here on John Shaqi.
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