M. Boscheron gives me his notes, gathers up his papers, bows and
retires. Left alone in my office, I fall to examining the wallpaper with
a sort of idiotic minuteness. It has the appearance of green felt with
here and there a yellow stain; I begin to draw little men on my paper;
I make an effort to write; for the fact is my Chief has asked for the
circular three times and has promised the government deputies that it
shall go to the prefects forthwith. I am bound to let him have it. I
begin reading it through: _to diminish popular respect for government
servants and to transform them_. I make a blot; then with my pen I
adorn it with hair. I transform it into a comet. I dream of Marguerite’s
tresses. The other day, in the Champs-Elysées, little filaments of gold,
little delicate spirals stood out from the rest of her graceful tresses,
with a singular brightness. You can see their like in fifteenth century
miniatures, also in some of an earlier date. Dante says in his _Vita
Nuova_: “One day when I was busy drawing angel’s heads . . .” And now
here am I trying to draw angels’ heads on a government circular. Come
now, we must get on with it: _government servants and to transform
them--transform them_ . . . How is it I simply cannot write a single
word after that? How is it I am here dreaming still, as I have been ever
since I rediscovered my _ego_ on the Pont de la Concorde that evening
of the lovely sunset? Transform, did I say? O God of mystery, nature,
truth, if she whose name even now after four years I dare not utter, if
she died in giving life to Marguerite, I should believe, I should know
with the certainty of instinct, that the soul of the mother had passed
into the daughter and that they are one and the same being.
[Illustration: 040]
[Illustration: 042]
1st November
Public-domain text, read in full here on John Shaqi.
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