Maria; Or, The Wrongs of WomanWollstonecraft, Mary
General
Maria; Or, The Wrongs of Woman
Wollstonecraft, Mary
Autobiographical fiction; Feminist fiction; Women -- Fiction
“How long I slept I know not; certainly many hours, for I woke at the
close of day, in a strange confusion of thought. I was probably roused
to recollection by some one thundering at a huge, unwieldy gate.
Attempting to ask where I was, my voice died away, and I tried to raise
it in vain, as I have done in a dream. I looked for my babe with
affright; feared that it had fallen out of my lap, while I had so
strangely forgotten her; and, such was the vague intoxication, I can
give it no other name, in which I was plunged, I could not recollect
when or where I last saw you; but I sighed, as if my heart wanted room
to clear my head.
“The gates opened heavily, and the sullen sound of many locks and bolts
drawn back, grated on my very soul, before I was appalled by the
creeking of the dismal hinges, as they closed after me. The gloomy pile
was before me, half in ruins; some of the aged trees of the avenue were
cut down, and left to rot where they fell; and as we approached some
mouldering steps, a monstrous dog darted forwards to the length of his
chain, and barked and growled infernally.
“The door was opened slowly, and a murderous visage peeped out, with a
lantern. ‘Hush!’ he uttered, in a threatning tone, and the affrighted
animal stole back to his kennel. The door of the chaise flew back, the
stranger put down the lantern, and clasped his dreadful arms around me.
It was certainly the effect of the soporific draught, for, instead of
exerting my strength, I sunk without motion, though not without sense,
on his shoulder, my limbs refusing to obey my will. I was carried up
the steps into a close-shut hall. A candle flaring in the socket,
scarcely dispersed the darkness, though it displayed to me the
ferocious countenance of the wretch who held me.
“He mounted a wide staircase. Large figures painted on the walls seemed
to start on me, and glaring eyes to meet me at every turn. Entering a
long gallery, a dismal shriek made me spring out of my conductor’s
arms, with I know not what mysterious emotion of terror; but I fell on
the floor, unable to sustain myself.
“A strange-looking female started out of one of the recesses, and
observed me with more curiosity than interest; till, sternly bid
retire, she flitted back like a shadow. Other faces, strongly marked,
or distorted, peeped through the half-opened doors, and I heard some
incoherent sounds. I had no distinct idea where I could be—I looked on
all sides, and almost doubted whether I was alive or dead.
“Thrown on a bed, I immediately sunk into insensibility again; and next
day, gradually recovering the use of reason, I began, starting
affrighted from the conviction, to discover where I was confined—I
insisted on seeing the master of the mansion—I saw him—and perceived
that I was buried alive.—
“Such, my child, are the events of thy mother’s life to this dreadful
moment—Should she ever escape from the fangs of her enemies, she will
add the secrets of her prison-house—and—”
Public-domain text, read in full here on John Shaqi.
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