Maria; Or, The Wrongs of WomanWollstonecraft, Mary
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Maria; Or, The Wrongs of Woman
Wollstonecraft, Mary
Autobiographical fiction; Feminist fiction; Women -- Fiction
With Darnford she did not taste uninterrupted felicity; there was a
volatility in his manner which often distressed her; but love gladdened
the scene; besides, he was the most tender, sympathizing creature in
the world. A fondness for the sex often gives an appearance of humanity
to the behaviour of men, who have small pretensions to the reality; and
they seem to love others, when they are only pursuing their own
gratification. Darnford appeared ever willing to avail himself of her
taste and acquirements, while she endeavoured to profit by his decision
of character, and to eradicate some of the romantic notions, which had
taken root in her mind, while in adversity she had brooded over visions
of unattainable bliss.
The real affections of life, when they are allowed to burst forth, are
buds pregnant with joy and all the sweet emotions of the soul; yet they
branch out with wild ease, unlike the artificial forms of felicity,
sketched by an imagination painful alive. The substantial happiness,
which enlarges and civilizes the mind, may be compared to the pleasure
experienced in roving through nature at large, inhaling the sweet gale
natural to the clime; while the reveries of a feverish imagination
continually sport themselves in gardens full of aromatic shrubs, which
cloy while they delight, and weaken the sense of pleasure they gratify.
The heaven of fancy, below or beyond the stars, in this life, or in
those ever-smiling regions surrounded by the unmarked ocean of
futurity, have an insipid uniformity which palls. Poets have imagined
scenes of bliss; but, sencing out sorrow, all the extatic emotions of
the Soul, and even its grandeur, seem to be equally excluded. We dose
over the unruffled lake, and long to scale the rocks which fence the
happy valley of contentment, though serpents hiss in the pathless
desert, and danger lurks in the unexplored wiles. Maria found herself
more indulgent as she was happier, and discovered virtues, in
characters she had before disregarded, while chasing the phantoms of
elegance and excellence, which sported in the meteors that exhale in
the marshes of misfortune. The heart is often shut by romance against
social pleasure; and, fostering a sickly sensibility, grows callous to
the soft touches of humanity.
Public-domain text, read in full here on John Shaqi.
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