Marie: An Episode in the Life of the Late Allan QuatermainHaggard, H. Rider (Henry Rider)
General
Marie: An Episode in the Life of the Late Allan Quatermain
Haggard, H. Rider (Henry Rider)
Quatermain, Allan (Fictitious character) -- Fiction
Now, in this house there were in all but six windows, one to each
sitting-room, one to each of the larger bedrooms, these four opening on
to the veranda, and one at either end of the house, to give light and
air to the two small bedrooms, which were approached through the larger
bedrooms. At the back, fortunately, there were no windows, for the
stead was but one room deep with a passage running from the front to
the back door, a distance of little over fifteen feet.
As soon as the guns were loaded I divided up the men, a man with a gun
at each window. The right-hand sitting-room window I took myself with
two guns, Marie coming with me to load, which, like all girls in that
wild country, she could do well enough. So we arranged ourselves in a
rough-and-ready fashion, and while we were doing it felt quite
cheerful—that is, all except Monsieur Leblanc, who, I noticed, seemed
very much disturbed.
I do not for one moment mean to suggest that he was afraid, as he might
well have been, for he was an extremely brave and even rash man; but I
think the knowledge that his drunken act had brought this terrible
danger upon us all weighed on his mind. Also there may have been more;
some subtle fore-knowledge of the approaching end to a life that, when
all allowances were made, could scarcely be called well spent. At any
rate he fidgeted at his window-place cursing beneath his breath, and
soon, as I saw out of the corner of my eye, began to have recourse to
his favourite bottle of peach brandy, which he fetched out of a
cupboard.
The slaves, too, were gloomy, as all natives are when suddenly awakened
in the night; but as the light grew they became more cheerful. It is a
poor Kaffir that does not love fighting, especially when he has a gun
and a white man or two to lead him.
Now that we had made such little preparations as we could, which, by
the way, I supplemented by causing some furniture to be piled up
against the front and back doors, there came a pause, which, speaking
for my own part—being, after all, only a lad at the time—I found very
trying to the nerves. There I stood at my window with the two guns, one
a double-barrel and one a single _roer_, or elephant gun, that took a
tremendous charge, but both, be it remembered, flint locks; for,
although percussion caps had been introduced, we were a little behind
the times in Cradock. There, too, crouched on the ground beside me,
holding the ammunition ready for re-loading, her long, black hair
flowing about her shoulders, was Marie Marais, now a well-grown young
woman. In the intense silence she whispered to me:
“Why did you come here, Allan? You were safe yonder, and now you will
probably be killed.”
“To try to save you,” I answered simply. “What would you have had me
do?”
“To try to save me? Oh! that is good of you, but you should have
thought of yourself.”
“Then I should still have thought of you, Marie.”
“Why, Allan?”
Public-domain text, read in full here on John Shaqi.
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