“Here’s where the little ragged rascal fell and broke his neck.
Impudence, I suppose--looking into a garden of the gods. Poor little
Humpty-Dumpty! How his mother screamed, I make no doubt, when they took
the news to her, and ran out into the streets regardless of appearance.
What a merciful dispensation it was that created women with a great
capacity for making scenes!” Then he went on, the episode forgotten,
and turned now toward Friar’s Court. All the blinds of the cottages
were drawn--all lights out, the owners fast asleep. Except at one
window, where a dim light burned behind the curtain.
“The beggar girl,” said he, and scaled the wall again, no leave asked.
But he found only a consumptive child, just now sleeping restlessly--a
tallow candle in a bottle keeping guard. Yet the windows were so near
that it was but the work of a moment from one window to the next. The
blind was down, but this was no hindrance; the window open just a
little way.
“Bad practice this,” said he, smiling; “they die just the same when
the time comes, open or not.” And he slipped in easily, with no
humiliating contortions of the body, but a grace that never left him,
creeping through holes or scaling precipices.
And Marigold lay fast asleep, contentment and healthy comfort on every
limb and feature. How different from the little wasted form beyond the
wall!
“A very pretty girl with a decided power of acting, if I judge rightly,
and not exactly a beggar except in Alphonso’s eyes. What inhuman things
these priests become! That he should let her come away so coldly
yesterday, and never a word about her since. But all last night harping
on Barringcourt, who surely set him the best example so far as women
are concerned.”
He stayed for little more, for now the dawn was breaking on the
Temple’s roof. And next you see him in the Palace cloisters, next in
the sweet-scented rose-garden, the sun risen and shining down upon his
shabby morning-coat. Soon he espied the High Priest sitting under a
broad chestnut tree--preoccupied with nothing but his thoughts; and
towards him with no great haste--if anything, more slowly--he bent his
steps.
“After all, Alphonso, there is much in life to be thankful for. This
garden, this fresh morning air--the flowers and birds--they make a
charming paradise.”
He noticed as he spoke, for little escaped him, that the night’s rest
had brought little return of health to his host’s face. He looked
unusually spiritless. Yet, as one taught to respond unconsciously to
the world’s salutations, he smiled as he answered:
“A charming paradise! Yes, a charming paradise! Yet the morning air,
the flowers and birds can pall on one. I’ve heard them in this same
garden twenty-five years. Before that in other gardens forty years. The
birds sing all alike. Even the larks become monotonous.”
“Have you slept well?”
“Excellently--with a touch of nightmare.”
“An interesting nightmare?”
Public-domain text, read in full here on John Shaqi.
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