I was allowed to plan my day’s work, so long as it did not impinge upon the rights or convenience of the rest. Directly after breakfast, I called my two willing little pupil-sisters to their lessons. The rock and shoals of threatened financial disaster that menaced our home for a while, were safely overpast by now. We were once more in smooth water, and sacrifices might be remitted. I continued to teach my little maids for sheer love of them, and of seeing their minds grow. Both were bright and docile. Alice had an intellect of uncommon strength and of a remarkably original cast. It was a delight to instruct her for some years. After that, we studied together. Our “school-time” lasted from nine until one. I never emerged from the study until three—the universal dinner-hour in Richmond. If visitors called, as often happened, my mother and sister excused me. In the afternoon we went out together, making calls, or walking, or driving. In the evening there was usually company, or we practised with piano and flute, and, as Herbert grew old enough to join our “band,” he brought in his guitar, or we met in “the chamber,” and one read aloud in the sweet old way while the others wrought with needle and pencil and drawing-board. This was the routine varied by occasional concerts and parties. Now and then, I got away from the group and wrote until midnight. In 1853 the _Southern Era_, a semi-literary weekly owned and run by the then powerful and popular “Sons of Temperance,” offered a prize of fifty dollars for the best temperance serial of a given length. I had written at sixteen, and recast it at eighteen, a story entitled “Marrying Through Prudential Motives,” and sent it secretly to _Godey’s Magazine_. It bore the signature of “Mary Vale”—a veiled suggestion of my real name. For four years I heard nothing of the waif. I had had experiences enough of the same kind to dishearten a vain or a timorous writer. It was balm to my mortified soul to reflect that nobody was the wiser for the ventures and the failures. So I set my pen in rest, and went in for the prize; less, I avow, for the fifty dollars than for the reward for seeing my ambitious bantling in print. So faint and few were my expectations of this consummation, that I went off to Boston for the summer, without intimating to any one the audacious cast I had made. I had been with my cousins six weeks when my mother sent me a copy of the _Southern Era_, containing what she said in a letter by the same mail, “promised to be the best serial it had published.” I opened the letter first, and tore the wrapper from the paper carelessly. How it leaped at me from the outermost page! OUR PRIZE STORY! KATE HARPER By Marion Harland All set up in what we christened in the last quarter-century, “scare-heads.”