Marion Harland's Autobiography: The Story of a Long LifeHarland, Marion
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Marion Harland's Autobiography: The Story of a Long Life
Harland, Marion
Authors, American -- 19th century -- Biography; Harland, Marion, 1830-1922
As I learned later from home-letters, the editor, after advertising
vainly for the author’s address, had published without waiting for it.
I wrote home that night to my father, pouring out the whole revelation,
and stipulating that the secret should be kept among ourselves.
“Marion Harland” was, again, a hint of my name, so covert that it was
not guessed at by readers in general. The editor, an acquaintance of my
father, was informed of my right to draw the money. I continued to send
tales and poems to him for two years, and preserved my incognito.
In the late spring of 1853, “Mea,” Herbert, and I were sitting in the
parlor on a wild night when it rained as rain falls nowhere else as
in the seven-hilled city. My companions had their magazines. Mea’s,
as I well recollect, was _Harper’s New Monthly_; my brother had the
_Southern Literary Messenger_. Ned Rhodes had taken _Harper’s_ for me
from the very first issue. My father subscribed conscientiously for
the _Messenger_ to encourage Southern literature. All right-minded
Virginians acknowledged the duty of extending such encouragement to the
extent of the subscription price of “native productions.”
I had dragged out the rough copy of my book from the bottom of my desk
that day, and was now looking it over at a table on one side of the
fireplace. Chancing upon the page describing Celestia Pratt’s entrance
upon school-life, I laughed aloud.
“What is it?” queried my sister, looking up in surprise.
“See if you know her,” I responded, and read out the scene. She joined
in the laugh.
“To the life!” she pronounced. “Go on!”
I finished the chapter, and the two resumed their magazines. Presently
Herbert tossed his aside.
“I say!” with boyish impetuosity. “This is stupid after what you gave
us. Haven’t you ‘anything more of the same sort?’”
It was a slang phrase of the day.
It was the “Open Sesame” of my literary life.
They kept me reading until nearly midnight, dipping in here for a
scene, there for a character-sketch, until my voice gave out.
I began rewriting _Alone_ next day, and we welcomed stormy evenings
for the next two months. When the MS. was ready for the press, I wrote
the “Dedication to my Brother and Sister” as a pleasant surprise to my
generous critics. They did not suspect it until they read it in print.
Public-domain text, read in full here on John Shaqi.
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