Marion Harland's Autobiography: The Story of a Long Life — John Shaqi
Marion Harland's Autobiography: The Story of a Long LifeHarland, Marion
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Marion Harland's Autobiography: The Story of a Long Life
Harland, Marion
Authors, American -- 19th century -- Biography; Harland, Marion, 1830-1922
Something warned me not to speak again. I leaned my head against her
shoulder, and we studied the fire together. Did the intensity of her
musing stir my dormant soul into life? I cannot say. Only that I date
my conscious personal existence from that mystic hour. The picture is
before me to-night, as I hear my daughter singing her boy to sleep in
the next room, and the lake-wind rattles the vines about my window. The
sough of the heated air over the brands and embers; the slow motion of
the rocker as we swayed to and fro; my mother’s thoughtful silence,
and my small self, awed into speechlessness by the new thing that had
come to me; my pulpy brain interfused with the knowledge that I was a
thinking entity, and unable to grapple with the revelation—all this is
as distinct as things of yesternight.
I have heard but one experience that resembled this supreme moment of
my infancy. My best-beloved tutor related to me when I was twelve years
old that he “recollected when he began to think.” The sensation, he
said, was as if he were talking to himself and could not stop. I had
that day heard the epigrammatic “_Cogito, ergo sum_,” and I told of my
awakening from a mere animal to spiritual and intellectual life.
I do not comprehend the mystery better now than on that
never-to-be-forgotten evening. I but know that the miracle _was_!
IV
A BERSERKER RAGE—A FRIGHT—THE WESTERN FEVER—MONTROSE—A MOTHER REGAINED
UP to this point of my story, what I have written is hearsay. With the
awakening recorded in the last chapter, my real reminiscences begin.
The next vivid impression upon my plastic memory has its setting in
the McQuie yard. My mother had been to Richmond on a visit and brought
back, as a present from a woman who was said to be “good,” a doll for
my sister. Perhaps she considered me too young to be intrusted with the
keeping of the rare creation of wax and real hair. Perhaps she did not
recollect my existence. In either case, as I promptly settled within
myself, she was not the good woman of my mother’s painting.
Not that I had ever cared for “dead dolls.” When I could just put
the wish into words, my craving was for a “real, live, _skin_ baby
that could laugh and talk.” But this specimen was so nearly alive
that it opened its eyes when one pulled a wire concealed by the satin
petticoat, and shut them at another tweak. Moreover, the (alleged) good
woman in the beautiful city I heard as much of as of heaven, had sent
my sister the gift, and none to me. Furthermore, and worst of all, my
sister paraded the gift before my angry, miserable eyes, and, out of
my mother’s hearing, taunted me with the evident fact that “nobody
cared for a little girl whose hands were dirty and whose hair was never
smooth.” I was barely three years old. My sister was a prodigy of
learning in the estimation of our acquaintances, and nearer six than
five. I took in the case with extraordinary clearness of judgment and
soreness of heart, and meditated revenge.
Public-domain text, read in full here on John Shaqi.
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