“Oh—I don’t—know!” dubiously. “People always cry when anybody makes a farewell speech.” So the Reverend-that-was-to-be Tayloe took his shadow from our door and his beak from out my heart. The quotation is not a mere figure of speech. The handsome Yankee governess opened the door of a new life for me. Some of the parents complained that she “did not bring the children on as fast as Mr. Tayloe had done.” Me, she inspired. I comprehended, as by a special revelation, that hard study might be a joy, and gain of knowledge rapture. With her I began Vose’s _Astronomy_, Comstock’s _Natural Philosophy_, and Lyell’s _Elements of Geology_, and revelled in them all. Her smile was my present reward, and when she offered to join me in my seemingly aimless rambles in the woods and “old fields,” I felt honored as by a queen’s favor. We sat together upon mossy stumps and the banks of the brook I had until then called “a branch” in native Virginian dialect—talking! talking! talking! for hours, of nymphs, hamadryads, satyrs, and everything else in the world of imagination and nature. She wrote poetry, and she kept a diary; she had travelled in ten states of the Union, and lived in three different cities; and she never tired of answering questions as to what she had seen in her wanderings. Her nature was singularly sweet and sunny, and I never, in all the ten months of our intimacy, saw in language and deportment aught that was not refined and gentle. With her I began to write school “compositions.” The “big girls” wrote them under the Tayloe régime—neat little essays upon “The Rose,” “The Lily,” “Morning,” “Night,” and all of the Four Seasons. Never a syllable had I lisped to one of them of the growing hoard of rhymes, tales, and sketches in the shabby, corpulent portfolio I had fashioned with my own fingers and kept in the bottom of a trunk under flannel skirts and last year’s outgrown frocks. I brought them out of limbo to show to Miss Wilson, by timid degrees, and new manuscripts as fast as they were written. She praised them, but not without discrimination. She suggested topics, and how to treat them. I never carried an imperfect lesson to her in class. Intellect and heart throve under her genial influence as frost-hindered buds under May sunshine. “The Fancy Sketch” was so like her it was natural I should refuse to believe the resemblance accidental. It was as plain as day to my apprehension that the unknown artist had seen her somewhere, and, unseen by her, had dogged her footsteps until he fixed her face in his mind’s eye, then transferred it to canvas.