Marion Harland's Autobiography: The Story of a Long LifeHarland, Marion
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Marion Harland's Autobiography: The Story of a Long Life
Harland, Marion
Authors, American -- 19th century -- Biography; Harland, Marion, 1830-1922
There lies at my elbow a time-worn volume bound in unpolished
calf-skin, and lettered on one side, “D. Lacy’s Letters”; on the
reverse, “Friendship Perpetuated.” It contains one hundred and
forty-two letters, copied from the original epistles and engrossed in
exquisitely neat and minute characters. They represent one side of a
correspondence maintained by the scribe with my grandmother before
and after her marriage. The writer and copyist was the Rev. Drury
Lacy, D.D., then a professor in Hampden Sidney College, and destined
to become the progenitor of a long line of divines and scholars.
The Hoges, Lacys, Brookeses, and Waddells were of this lineage. The
epistles are Addisonian in purity of moral teaching and in grammatical
structure, Johnsonian in verboseness, and interfused throughout with
a pietistic priggishness all their own. We are glad to carry with us
through the perusal (in instalments) of the hundred and forty-two,
the tales current in that all-so-long-ago of the genial nature and
liveliness of conversation that made him a star in social life. One
wonders, in hearing of the “perpetuation” of the brotherly-and-sisterly
intimacy, begun months before he wedded the “Nancy” of the Montrose
group, who, from all I have been able to gather, was a very commonplace
personage by comparison with “Judith”—one marvels, I say, that the
affection never ripened into a warmer sentiment. They had themselves
better in hand evidently than the “affinities” of the twentieth century.
Old people I knew, when a child, delighted in relating how, when “Mr.
Lacy” held meetings in country churches in Powhatan and Prince Edward,
and his sister-in-law was in the congregation, everybody listened for
the voices of those two. His was strong, flexible, and sweet, and he
read music as he read a printed page. While she, as an old admirer—who
up to his eightieth year loved to visit my mother that he might talk
of his early love—used to declare, “sang like an angel just down from
heaven.”
She added all womanly accomplishments to musical skill and literary
tastes. An embroidered counterpane, of which I am the proud owner, is
wrought in thirteen varieties of stitch, and in patterns invented by
herself and three sisters, the only brother contributing what may be
classed as a “conventional design” of an altar and two turtle-doves
perched upon a brace of coupled hearts—symbolical of his passion for
the beauty of the county, Judith Mosby, of Fonthill, whom he married.
Our Judith held on the peaceful tenor of her way, reading all the
books she could lay her shapely hands upon, keeping up her end of
correspondences with Lacys, Rices, Speeces, Randolphs, and Blaines,
and gently rejecting one offer after another, until she married at
thirty-three—an advanced stage of spinsterdom, then—honest Capt.
Sterling Smith, the widower-father of three children.
Public-domain text, read in full here on John Shaqi.
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