Marionettes, masks and shadowsMills, Winifred H. (Winifred Harrington)
Philosophy
Marionettes, masks and shadows
Mills, Winifred H. (Winifred Harrington)
Costume; Masques; Puppet plays; Shadow shows
You may like to know how marionettes came by their name. One day, in the
year 944, in the city of Venice, twelve beautiful maidens went forth
from their homes to marry twelve young men at the church of Santa Maria
della Salute. Suddenly a band of Barbary pirates landed near the church,
attacked the crowd, and in the confusion that arose, carried away the
maidens. In a short time the young men of Venice recovered from the
shock, jumped into their ships, followed and overtook the pirates. After
much fighting, they rescued the brides. From that very day it was the
custom in Venice to celebrate the anniversary of this event by a great
festival. Always on the last day of the festival came the marriage of
twelve beautiful young women to twelve handsome young men. The wedding
gowns and doweries were provided by the state from the public treasury.
In the course of time, this led to so much jealousy and so many quarrels
among the young men and women of Venice, that the city decided to
substitute life-sized wooden dolls for the maidens. By and by, the
Venetian toy makers began to make little figures that were exactly like
the large figures, to sell as toys for the children. These were called
“little maries” or “marionettes.”
When one learns to know the people of Italy, he can easily understand
how puppets might feel more at home there than in any other country in
the world. The Italian people love music and color and motion and life,
above all else they love heroes, their great adventures and romances.
All these things are equally dear to the hearts of the marionettes. They
repay the sympathy of the Italian people by keeping alive for them their
great heroes and hero tales. The people might have forgotten many of
their great stories had it not been for the puppets. The legend of the
Court of Charlemagne, the story of golden-haired Roland, which Taillefer
sang before William of Normandy at the Battle of Hastings, have been
acted by puppets in Italy for more than three hundred years. One may
still see all the characters that were in the story as it was told in
the Xth Century. There is Rinaldo of Montauban, his horse Bayard, his
sword Flamberge, Malagigi, the magician, and Ganelon, the traitor, fair
Clarissa and Charlemagne himself. Italian boys and girls learn much of
their history from puppets. Sometimes it requires a whole year to give
one of their great plays like _Orlando Furioso_ or the story of the
seven Paladins. From Italy marionettes traveled to all the other
countries of Europe, to France, Spain, Germany, and England. Finally
they came to the United States.
FRANCE
Public-domain text, read in full here on John Shaqi.
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