Marionettes, masks and shadowsMills, Winifred H. (Winifred Harrington)
Philosophy
Marionettes, masks and shadows
Mills, Winifred H. (Winifred Harrington)
Costume; Masques; Puppet plays; Shadow shows
_Backgrounds._ A background may be either light, medium, or dark. If the
background is light, the costumes which appear against it should be
somewhat darker. Likewise if the background is dark, the costumes which
appear against it should be lighter. You might think that a costume
could be seen quite easily if it were of a color unlike the background.
This is not true, if the costume and background are of the same color
value. If you experiment and observe your stage picture from a distance,
you will discover that you must use light-colored costumes against a
dark-colored background, or dark-colored costumes against a
light-colored background. This contrast between light and dark need not
be a strong one. However, there must be some contrast if the figures are
to be seen from a distance. Stage compositions build themselves about
the most important characters of the play. Therefore, the costumes of
these important characters must be outstanding. They must be in contrast
to the background and to the other costumes. The costumes of the less
important characters should not rival those of the principal characters.
With these suggestions in mind, you are ready to begin the costuming of
your marionette.
_Costuming._ In the family scrap bag you will probably find all the
materials you need: cotton, wool, silk, satin, velvet, ribbons, laces,
and braids. Your marionette may represent a character of a particular
period and country. If so, it must have a costume similar to the costume
worn in that country at that time. In your library, you can probably
find books of historic costumes from which you can make sketches or
tracings. It is well to sketch several of the costumes that seem best
suited to your character. In this way, you acquire, not only a knowledge
of the costumes, but of details such as headdresses, shoes, and
ornaments. Also make careful color notes. On the tree of the marionette,
you will find a gay company of little figures in historic costumes of
many lands. They are worth studying.
Suppose your character is an imaginary one, such as an elf, fairy, or
gnome. Then turn to the books illustrated by such artists as Dulac,
Rackham, Nielson, and Bilibin. They will inspire you to create and
costume your own elves, fairies, and gnomes. Remember to choose suitable
materials and appropriate colors. For example, thin, gauzy materials
would be appropriate for fairies, while coarse, dark materials would be
appropriate for gnomes. Try to express your conception of a character in
the colors you choose for its costume.
[Illustration: [Marionette]]
A _Body of controller: 9½ in. long; 1⅝ in. wide_
B _Cross bar: 7½ in. long; 1⅛ in. wide at center_
C _Shoulder controller: 6 in. long_
D _Foot controller: 8½ in. long; ⅞ in. wide_
E _Screw and nut for fastening cross bar to body of
controller_
F _Post for holding foot controller when latter is not in use_
Public-domain text, read in full here on John Shaqi.
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