Marionettes, masks and shadowsMills, Winifred H. (Winifred Harrington)
Philosophy
Marionettes, masks and shadows
Mills, Winifred H. (Winifred Harrington)
Costume; Masques; Puppet plays; Shadow shows
It is possible to make a surprising number of different kinds of animal
marionettes. There are many plays in which they are indispensable. For
instance, in _Men of Iron_, the horses are indispensable, as there could
be no tournament scene without them. The bear and the doves are not
indispensable but they add a touch of humor and lively interest. When we
gave the play the making of these animals presented an interesting
problem. Two boys asked to be responsible for the horses in _Men of
Iron_. They went downtown and looked about in the toy departments of the
largest stores until they found two wooden toy horses exactly in scale
with the 15-inch marionettes which were to be used in this play. They
began by taking the horses off their wheeled platforms. These toy horses
were very stiff. In order to enable them to move their heads, necks, and
legs, it was first necessary to saw off the heads, necks, upper and
lower legs. The drawing shows the way these parts were again attached so
that great freedom of movement was possible.
[Illustration: [Marionette]]
For the bear marionette, a teddy bear was used. Since a teddy bear is
very stiff, it was necessary to remove all the stuffing from the head,
body, and legs. In order to make the head drop forward, the snout was
weighted with a small three-cornered sack of shot. The paws were also
weighted in order to make the bear stand naturally. The bear was very
lightly restuffed. The strings were attached to each side of the head,
to the shoulders, lower part of the back, and to each of the four paws.
The marionette was reweighted no less than four times, in order to get
the right balance to make its movements seem natural and bearlike.
A girl was responsible for the three doves used in the second scene of
_Men of Iron_. She decided upon the proper scale and then cut a pattern
for the body and another for the wings. The body she made from soft gray
silk and weighted it near the tail. The wings were wired along their
upper edges and then attached to the body. Each dove required three
strings, one for the center of the back and one for the tip of each
wing.
Public-domain text, read in full here on John Shaqi.
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