Marionettes, masks and shadowsMills, Winifred H. (Winifred Harrington)
Philosophy
Marionettes, masks and shadows
Mills, Winifred H. (Winifred Harrington)
Costume; Masques; Puppet plays; Shadow shows
It was before the Holy Sepulcher in Jerusalem that the greatest of the
early passion plays were given by marionettes, plays so simple and
religious that they were greatly loved by the devout pilgrims who came
to that sacred shrine. It was here that puppets were probably seen by
the first crusaders who, no doubt, had much to tell of them when they
returned to their far-distant homes. Puppets lived in the churches, just
as they once had lived in the temples. The plays they gave were called
Mysteries. These puppet mystery plays were to be seen in both the
churches and the monasteries of all medieval Europe. They were solemn
festivals of sacred commemoration. Into the naves and chapels of these
early churches, large wooden stages were built, carpets were spread on
the floors, tapestries were hung on the walls. At the back of these
stages, evergreen trees were placed and in front of the trees there were
stones. These were covered with plants and moss in imitation of the
hills and valleys and pathways of the Holy Land. Everything was so
arranged that these marionettes could give the most dramatic scenes in
the life of Christ. The little figures were carved from wood, colored to
life, richly clothed, adapted by mechanisms so that their limbs could be
made to move by the action of springs and levers.
As time went on the people seemed to lose much of their strong religious
fervor. Marionettes did the same. Finally almost ceasing to be religious
they became interested only in entertaining people. At last Savonarola
banished them from the churches of Florence, and in the year 1550 the
Council of Trent tried to banish all marionettes from the churches. The
Council did this because it felt that marionettes were very irreligious.
Then the puppets rebelled and forsook the church for the theater.
Thereupon they were accused of witchcraft and magic, were tortured,
burned, beheaded, and even buried alive. All this was done in the XVIth
Century. But all these indignities did not drive the marionettes far
from the churches. They established themselves just outside the church
grounds. Here they were sure to be on the days when crowds of people
were coming to the great church celebrations. The plays they gave were
episodes taken from the Holy Scriptures. These episodes taken from the
miracles came to be known as Miracle Plays, and these plays became even
more popular than the Mystery Plays that had been given inside the
churches.
Public-domain text, read in full here on John Shaqi.
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