Long after the Sandersons had gone, long after Mariposilla had ceased to
rejoice over her splendid fortunes, forgetting in the natural slumbers
of youth the caressing pressure of the gold beads, or the sweet secret
of the little bracelet hugging her arm, that she must not show, but
could kiss in solitude, long after the gorgeous air castles, built by
the ignorant, innocent young architect, had crumbled for the night, and
I had ceased to listen to the faint noises from the adjoining room, did
the patient Doña Maria keep her vigil.
As I dropped to sleep I heard her tender voice soothing like an infant
the aged mother, who at last sank away into a long, irresistible
slumber.
When the clear, yellow dawn of Christmas morn awakened the cocks of the
corral, I heard the Doña Maria knocking at her daughter's door. Opening
my own I inquired if her mother still slept, begging that I might
relieve for a time her patient watch.
"The Señora is kind," she said, "but my mother will now sleep for many
hours. The Señora need not fear; she will scream no more. She has taken
the sleeping potion, and now I am free to go with my child to the early
celebration."
Mariposilla was now awake. Her hair had fallen over her shoulders and
the little necklace still encircled her throat. About her eyes lingered
the rosy flush of her unbroken sleep. She sat up as we entered, pushing
quickly beneath her nightgown sleeve a tiny rim of gold.
"Come, my child," said the Doña Maria, "make haste and prepare for the
early celebration. Our sufferer sleeps at last, and we may now go
together to the church and thank once more the sweet Mother for the
birth of the Holy Child."
I went back to my room as Mariposilla began to dress. A few moments
later I heard the outer door close gently, and knew that the Doña Maria
and her child had gone.
A strange fear fastened upon me, driving me irresistibly to the
adjoining door. I opened it. The darkened room was a fascinating terror.
I entered, and approached the bed of the sleeping Spanish woman. Her
stillness was terrible. The old horror seized me. I felt once more the
power of my old enemy. Death seemed to be facing me again. The same
cruel, dreadful certainty that I knew so well! I staggered forward to
flee. I must have fainted, for when I revived I was lying upon the floor
in front of the little wooden Virgin. The blessed sunlight was peeping
from the sides of the window curtains, while above the head of the
image there hung a golden beam.
I arose and stood calmly by the bed of the Spanish woman.
The linen was spotless; the pillow cases and night-dress of the sleeper
elaborate with the drawn needlework of the Doña Maria. The snowy
whiteness of the counterpane contrasted strangely with the bronzed,
weather-beaten features and large, gnarled hands of the woman beneath,
so like a mummy that her breathing alone seemed human.
Public-domain text, read in full here on John Shaqi.
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