One such summer evening surges up before me with a crimson smear across its sunlight. There was a Low Country fellow there, waist deep in schnapps, and a Finlander sucking strong beer like a hog. Meinheer and the Finn came to words and blows, and I, who was sitting astride of the railing staring, heard a shrill scream from the old man and a rattle as he dropped his fiddle, and then a flash and a red rain of blood on the table as my Finn fell with a knife in him, the Hollander's knife, smartly pegged in between the left breast and the shoulder. I declare that, even in my excitement at that first sight of blood drawn in feud, my boyish thought was half divided between the drunken quarrel and the poor old fiddler, all hunched together on the ground and sobbing dry-eyed in a kind of ecstasy of fear and horror. I heard afterwards that he had a son knifed to his death in a seaman's brawl, and never got over it. As for the Finn, they took him home and kept it dark, and he recovered, and may be living yet for all I know to the contrary, and a perfect pattern to the folk in Finland. That inn had a name, stranger I have never heard; and a sign, stranger I have never seen; though I have wandered far and seen more than old Ulysses in the school-book ever dreamt of. It was called the Skull and Spectacles; and if its name was at once horrible and laughable, its sign was more devilish still. For instead of any painted board, swinging pleasantly on fair days and creaking lustily on foul, there stood out over the inn door a kind of bracket, and on that bracket stood a human skull, so parched and darkened by wind and weather that it looked more fearful than even a _caput mortuum_ has a right to look. On the nose of this grisly reminder of our mortality some wag--or so I suppose, but perhaps he was a cynic--had stuck a great pair of glassless barnacles or goggles. It was a loathly conceit, and yet it added vastly to the favour of the inn in the minds of those wildings that haunted it. Must I add that it did so in mine too, who should have known better? If it had not been for the fascination of that sign, perhaps I might have kept better company, and never done what I did do, and never written this history. When first I happened upon the Skull and Spectacles it attracted me at once. Its situation, in the middle of that wilderness of mouldering wharves, decaying gardens, and tumble-down cottages, was in itself an invitation to the eye. Then the devilish mockery of its sign was an allurement. It looked like some fantastical tavern in a dream, and not a thing of real timber.