I would start in at once to elevate, purify, and depopulate the
red-light district. I would assign the most soulful poets to that
district, all heavily armed with their poems. Take Chauncey Depew as a
sample. I would station them on the corners after they had rounded up
all the depraved people of the district so they could not escape, and
then have them read from their poems to the poor unfortunates. The
plan would be very effective in causing an emigration of the depraved
element.
PUDD'NHEAD WILSON DRAMATIZED
When Mr. Clemens arrived from Europe in 1895 one of the first
things he did was to see the dramatization of Pudd'nhead
Wilson. The audience becoming aware of the fact that Mr.
Clemens was in the house called upon him for a speech.
Never in my life have I been able to make a speech without preparation,
and I assure you that this position in which I find myself is one
totally unexpected.
I have been hemmed in all day by William Dean Howells and other
frivolous persons, and I have been talking about everything in the world
except that of which speeches are constructed. Then, too, seven days
on the water is not conducive to speech-making. I will only say that I
congratulate Mr. Mayhew; he has certainly made a delightful play out of
my rubbish. His is a charming gift. Confidentially I have always had
an idea that I was well equipped to write plays, but I have never
encountered a manager who has agreed with me.
DALY THEATRE
ADDRESS AT A DINNER AFTER THE ONE HUNDREDTH PERFORMANCE OF
“THE TAMING OF THE SHREW.”
Mr. Clemens made the following speech, which he incorporated
afterward in Following the Equator.
I am glad to be here. This is the hardest theatre in New York to get
into, even at the front door. I never got in without hard work. I am
glad we have got so far in at last. Two or three years ago I had an
appointment to meet Mr. Daly on the stage of this theatre at eight
o'clock in the evening. Well, I got on a train at Hartford to come to
New York and keep the appointment. All I had to do was to come to the
back door of the theatre on Sixth Avenue. I did not believe that; I did
not believe it could be on Sixth Avenue, but that is what Daly's note
said—come to that door, walk right in, and keep the appointment. It
looked very easy. It looked easy enough, but I had not much confidence
in the Sixth Avenue door.
Public-domain text, read in full here on John Shaqi.
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