There, met to doom in secrecy,
Were placed the heads of convents three;
All servants of Saint Benedict,
The statutes of whose order strict
On iron table lay;
In long black dress, on seats of stone,
Behind were these three judges shown
By the pale cresset’s ray,
The Abbess of Saint Hilda’s, there,
Sat for a space with visage bare,
Until, to hide her bosom’s swell,
And tear-drops that for pity fell,
She closely drew her veil:
Yon shrouded figure, as I guess,
By her proud mien and flowing dress,
Is Tynemouth’s haughty Prioress,
And she with awe looks pale:
And he, that ancient man, whose sight
Has long been quenched by age’s night,
Upon whose wrinkled brow alone
Nor ruth nor mercy’s trace is shown,
Whose look is hard and stern—
Saint Cuthbert’s Abbot is his style
For sanctity called, through the isle,
The saint of Lindisfarne.
XX.
Before them stood a guilty pair;
But, though an equal fate they share,
Yet one alone deserves our care.
Her sex a page’s dress belied;
The cloak and doublet, loosely tied,
Obscured her charms, but could not hide.
Her cap down o’er her face she drew;
And, on her doublet breast,
She tried to hide the badge of blue,
Lord Marmion’s falcon crest.
But, at the Prioress’ command,
A monk undid the silken band,
That tied her tresses fair,
And raised the bonnet from her head,
And down her slender form they spread,
In ringlets rich and rare.
Constance de Beverley they know,
Sister professed of Fontevraud,
Whom the church numbered with the dead
For broken vows, and convent fled.
XXI.
When thus her face was given to view—
Although so pallid was her hue,
It did a ghastly contrast bear
To those bright ringlets glistering fair—
Her look composed, and steady eye,
Bespoke a matchless constancy;
And there she stood so calm and pale,
That, but her breathing did not fail,
And motion slight of eye and head,
And of her bosom, warranted
That neither sense nor pulse she lacks,
You might have thought a form of wax,
Wrought to the very life, was there;
So still she was, so pale, so fair.
XXII.
Public-domain text, read in full here on John Shaqi.
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