Marmion: A Tale of Flodden Field in Six Cantos — John Shaqi
Marmion: A Tale of Flodden Field in Six CantosScott, Walter
General
Marmion: A Tale of Flodden Field in Six Cantos
Scott, Walter
Flodden, Battle of, England, 1513 -- Poetry
'The publishers of the "Lay of the Last Minstrel," emboldened by the
success of that poem, willingly offered a thousand pounds for
"Marmion." The transaction being no secret, afforded Lord Byron,
who was then at general war with all who blacked paper, an apology
for including me in his satire, entitled "English Bards and Scotch
Reviewers." I never could conceive how an arrangement between an
author and his publishers, if satisfactory to the persons concerned,
could afford matter of censure to any third party. I had taken no
unusual or ungenerous means of enhancing the value of my
merchandise--I had never higgled a moment about the bargain, but
accepted at once what I considered the handsome offer of my
publishers. These gentlemen, at least, were not of opinion that
they had been taken advantage of in the transaction, which indeed
was one of their own framing; on the contrary, the sale of the Poem
was so far beyond their expectation, as to induce them to supply the
author's cellars with what is always an acceptable present to a
young Scottish housekeeper, namely, a hogshead of excellent claret.'
A second point on which Scott was attacked was the character of
Marmion. It was held that such a knight as he undoubtedly was
should have been incapable of forgery. Scott himself; of course,
knew better than his critics whether or not this was the case, but,
with his usual good nature and generous regard for the opinion of
others, he admitted that perhaps he had committed an artistic
blunder. Dr. Leyden, in particular, for whose judgment he had
special respect, wrote him from India 'a furious remonstrance on the
subject.' Fortunately, he made no attempt to change what he had
written, his main reason being that 'corrections, however in
themselves judicious, have a bad effect after publication.' He
might have added that any modification of the hero's guilt would
have entirely altered the character of the poem, and might have
ruined it altogether. He had never, apparently, gone into the
question thoroughly after his first impressions of the type of
knights existing in feudal times, for though he states that 'similar
instances were found, and might be quoted,' he is inclined to admit
that the attribution of forgery was a 'gross defect.' Readers
interested in the subject will find by reference to Pike's 'History
of Crime,' i. 276, that Scott was perfectly justified in his
assumption that a feudal knight was capable of forgery. Those who
understand how intimate his knowledge was of the period with which
he was dealing will, of course, be the readiest to believe him
rather than his critics; but when he seems doubtful of himself, and
ready to yield the point, it is well that the strength of his
original position can thus be supported by the results of recent
investigation.
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