This favour of Louis XIV and this summing up of Christina’s had been enough to bring the Marquise de Castellane instantly into fashion; and Mignard, who had just received a patent of nobility and been made painter to the king, put the seal to her celebrity by asking leave to paint her portrait. That portrait still exists, and gives a perfect notion of the beauty which it represents; but as the portrait is far from our readers’ eyes, we will content ourselves by repeating, in its own original words, the one given in 1667 by the author of a pamphlet published at Rouen under the following title: True and Principal Circumstances of the Deplorable Death of Madame the Marquise de Ganges: [Note: It is from this pamphlet, and from the Account of the Death of Madame the Marquise de Ganges, formerly Marquise de Castellane, that we have borrowed the principal circumstances of this tragic story. To these documents we must add—that we may not be constantly referring our readers to original sources—the Celebrated Trials by Guyot de Pitaval, the Life of Marie de Rossan, and the Lettres galantes of Madame Desnoyers.] “Her complexion, which was of a dazzling whiteness, was illumined by not too brilliant a red, and art itself could not have arranged more skilfully the gradations by which this red joined and merged into the whiteness of the complexion. The brilliance of her face was heightened by the decided blackness of her hair, growing, as though drawn by a painter of the finest taste, around a well proportioned brow; her large, well opened eyes were of the same hue as her hair, and shone with a soft and piercing flame that rendered it impossible to gaze upon her steadily; the smallness, the shape, the turn of her mouth, and, the beauty of her teeth were incomparable; the position and the regular proportion of her nose added to her beauty such an air of dignity, as inspired a respect for her equal to the love that might be inspired by her beauty; the rounded contour of her face, produced by a becoming plumpness, exhibited all the vigour and freshness of health; to complete her charms, her glances, the movements of her lips and of her head, appeared to be guided by the graces; her shape corresponded to the beauty of her face; lastly, her arms, her hands, her bearing, and her gait were such that nothing further could be wished to complete the agreeable presentment of a beautiful woman.” [Note: All her contemporaries, indeed, are in agreement as to her marvellous beauty; here is a second portrait of the marquise, delineated in a style and manner still more characteristic of that period:—