Labrador (N.L.) -- Fiction; London (England) -- Fiction; Love stories, English
"Old Madge," they said; and then throwing respect to the winds, "Old
Gargoo!" which was Marjorie's forbidden nickname, and short for gargoyle
(though surely only Victorian Gothic, ever produced a gargoyle that had
the remotest right to be associated with the neat brightness of
Marjorie's face).
She overlooked the offence, and the pseudo-twins boarded the cart from
behind, whereupon the already overburthened donkey, being old and in a
manner wise, quickened his pace for the house to get the whole thing
over.
"It's really an avenue," said Daffy; but Marjorie, with her mind strung
up to the Carmel standards, couldn't agree. It was like calling a row of
boy-scouts Potsdam grenadiers. The trees were at irregular distances, of
various ages, and mostly on one side. Still it was a shady, pleasant
approach.
And the vicarage was truly very interesting and amusing. To these
Londoners accustomed to live in a state of compression, elbows
practically touching, in a tall, narrow fore-and-aft stucco house, all
window and staircase, in a despondent Brompton square, there was an
effect of maundering freedom about the place, of enlargement almost to
the pitch of adventure and sunlight to the pitch of intoxication. The
house itself was long and low, as if a London house holidaying in the
country had flung itself asprawl; it had two disconnected and roomy
staircases, and when it had exhausted itself completely as a house, it
turned to the right and began again as rambling, empty stables, coach
house, cart sheds, men's bedrooms up ladders, and outhouses of the most
various kinds. On one hand was a neglected orchard, in the front of the
house was a bald, worried-looking lawn area capable of simultaneous
tennis and croquet, and at the other side a copious and confused
vegetable and flower garden full of roses, honesty, hollyhocks, and
suchlike herbaceous biennials and perennials, lapsed at last into
shrubbery, where a sickle-shaped, weedy lagoon of uncertain aims, which
had evidently, as a rustic bridge and a weeping willow confessed,
aspired to be an "ornamental water," declined at last to ducks. And
there was access to the church, and the key of the church tower, and one
went across the corner of the lawn, and by a little iron gate into the
churchyard to decipher inscriptions, as if the tombs of all
Buryhamstreet were no more than a part of the accommodation relinquished
by the vicar's household.
Public-domain text, read in full here on John Shaqi.
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