The drawing-room had no texts; it was altogether more pretentious and less haunted by the faint and faded flavour of religion that pervaded the bedrooms. It had, however, evidences of travel in Switzerland and the Mediterranean. There was a piano in black and gold, a little out of tune, and surmounted by a Benares brass jar, enveloping a scarlet geranium in a pot. There was a Japanese screen of gold wrought upon black, that screened nothing. There was a framed chromo-lithograph of Jerusalem hot in the sunset, and another of Jerusalem cold under a sub-tropical moon, and there were gourds, roses of Jericho, sandalwood rosaries and kindred trash from the Holy Land in no little profusion upon a what-not. Such books as the room had contained had been arranged as symmetrically as possible about a large, pink-shaded lamp upon the claret-coloured cloth of a round table, and were to be replaced, Mrs. Pope said, at their departure. At present they were piled on a side-table. The girls had been through them all, and were ready with the choicer morsels for Marjorie's amusement. There was "Black Beauty," the sympathetic story of a soundly Anglican horse, and a large Bible extra-illustrated with photographs of every well-known scriptural picture from Michael Angelo to Doré, and a book of injunctions to young ladies upon their behaviour and deportment that Rom and Sydney found particularly entertaining. Marjorie discovered that Sydney had picked up a new favourite phrase. "I'm afraid we're all dreadfully cynical," said Sydney, several times. A more advanced note was struck by a copy of "Aurora Leigh," richly underlined in pencil, but with exclamation marks at some of the bolder passages....