Labrador (N.L.) -- Fiction; London (England) -- Fiction; Love stories, English
"My dear," he said, at last, "I've thought of that. But since I left
that dear, dusty little laboratory, and all those exquisite subtle
things--I've lived. I've left that man seven long years behind me. Some
other man must go on--I think some younger man--with the riddles I found
to work on then. I've grown--into something different. It isn't how
atoms swing with one another, or why they build themselves up so and not
so, that matters any more to me. I've got you and all the world in which
we live, and a new set of riddles filling my mind, how thought swings
about thought, how one man attracts his fellows, how the waves of motive
and conviction sweep through a crowd and all the little drifting
crystallizations of spirit with spirit and all the repulsions and eddies
and difficulties, that one can catch in that turbulent confusion. I want
to do a new sort of work now altogether.... Life has swamped me once,
but I don't think it will get me under again;--I want to study men."
He paused and she waited, with a face aglow.
"I want to go back to watch and think--and I suppose write. I believe I
shall write criticism. But everything that matters is criticism!... I
want to get into contact with the men who are thinking. I don't mean to
meet them necessarily, but to get into the souls of their books. Every
writer who has anything to say, every artist who matters, is the
stronger for every man or woman who responds to him. That's the great
work--the Reality. I want to become a part of this stuttering attempt to
express, I want at least to resonate, even if I do not help.... And you
with me, Marjorie--you with me! Everything I write I want you to see and
think about. I want you to read as I read.... Now after so long, now
that, now that we've begun to talk, you know, talk again----"
Something stopped his voice. Something choked them both into silence. He
held out a lean hand, and she shuffled on her knees to take it....
"Don't please make me," she stumbled through her thoughts, "one of those
little parasitic, parroting wives--don't pretend too much about
me--because you want me with you----. Don't forget a woman isn't a man."
"Old Madge," he said, "you and I have got to march together. Didn't I
love you from the first, from that time when I was a boy examiner and
you were a candidate girl--because your mind was clear?"
"And we will go back," she whispered, "with a work----"
"With a purpose," he said.
She disengaged herself from his arm, and sat close to him upon the
floor. "I think I can see what you will do," she said. She mused. "For
the first time I begin to see things as they may be for us. I begin to
see a life ahead. For the very first time."
Queer ideas came drifting into her head. Suddenly she cried out sharply
in that high note he loved. "Good heavens!" she said. "The absurdity!
The infinite absurdity!"
"But what?"
"I might have married Will Magnet----. That's all."
Public-domain text, read in full here on John Shaqi.
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